Spencer Draper
Stunt Coordinator
That's true. I guess I should have rephrased it that I would hope a better source materializes someday-that being said ever since the first appearance of it on the 2005 Masterpiece Collection DVD I was quite pleased that it sounded as good as it does. It certainly fares better than the old analog track on the pan n scan LD.There's nothing to "restore" the original mono with. The Blu-ray's mono track originates from the beat-up optical track of 1958 theatrical prints. Lossless audio of this would result in an extremely marginal, perhaps unnoticeable difference. As Mr. Harris has explained over the years, the original magnetic elements were destroyed in 1967. Even the optical soundtrack negative was useless by 1983. Fortunately the music recordings largely fared much better.
As for encoding, lossless can't hurt and there certainly would be the disk space available. I do get tired of seeing original tracks being shunted aside in favor of remixes (Case in point the last Vertigo DVD nixed the mono altogether)-and there are many instances where I have found lossless mono tracks trouncing lossy renderings, though admittedly that can often be more of a case of some overzealous noise reduction and other issues. Thus I now have so many Laserdiscs. (Something I never intended to do when I started collecting certain titles a few years ago. You start with one and then have a few hundred. )
I'd like to just mention again in case it gets noticed by someone-if there is ever a new release of North by Northwest in the cards, please do include the original mono mix. The Criterion release was one of the first Laserdiscs I ever found and I was immediately bowled over at how much more appropriate the mono mix felt. While I adore the quality of Herrmann's scoring in full stereo it really detracts from the film mix when you do direct comparison of the mono and 5.1.
I'm beyond excited over this and it would certainly be a treat to see the rest of the Universal held titles receive similar treatment.