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HTF REVIEW: "9/11 The Filmmakers' Commemorative DVD Edition" (with screenshots) (1 Viewer)

Ronald Epstein

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9/11




Studio: Paramount
Year: 2002
Rated: NR
Film Length: 129 minutes
Aspect Ratio: Widescreen (1.78:1)



It's a very difficult decision to devote an entire
day to reviewing these new DVD titles that reflect
upon the events of September 11, 2001. I consider
this a prelude to the many images that Americans
will be revisiting as we approach the one year
anniversary of the attacks.
Some of you may not be interested in revisiting
the perpetual images that these DVDs provide.
For those of you that feel this way, I urge you
not to read any more of this review as the images
and stories are all here.
For others, these DVDs are very well done, presenting
an enormous amount of educational value to those
who are interested in watching them.
Nothing has ever been this real.
This year's most amazing documentary makes
it way to DVD courtesy of Paramount Home Video.
This is the story of the very first firefighters
who arrived in World Trace Center Tower #1 just
after the plane hit.

On September 11, 2001, french filmmakers (and
brothers) Jules and Gedeon Naudet had been filming
a documentary about a rookie firefighter (also
known as a "probie"), when events turned for
the worse. Though the brothers had never planned
for this to be a documentary about the events of
that tragic day, this recording is the definitive
record of what happened on 9/11, bringing all of
us as close to the reality as anyone could get.

As the documentary opens we see the footage that
Jules and Gedeon had been shooting for the past
few weeks leading up to 9/11. Their story was
about a fireman named Tony and his first few weeks
on the job as a probie -- cleaning dishes, mopping
the floor and scrubbing the fire truck back to its
bright red splendor. Tony longs for action, but
unfortunately has become a white cloud that brings
no fires. As we watch Tony train, we can see the
desire in him to become a real firefighter. We
even watch Tony open up his first meager check as
he exclaims, "If I wanted to be rich, I could have
become a lawyer but I wanted something to live with
for the rest of my life". Well said words, indeed!
Jules and Gedeon were getting just as disappointed
as Tony was. By the end of August they had no
exciting footage of fire fighting. Most of it was
of the firemen cooking meals every night. The
firemen warned them to be careful what you wish
for. They could never have been more accurate with
their words....
9/11

The morning started as routinely as ever. At
8:30am the company responded to a gas leak with
Jules and his camcorder in tow. As the group of
firemen stand over a street grid you can see the
two towers behind them. Suddenly there's the sound
of a loud roar above them as an airplane swoops
over their heads and into the Trade Center tower.
Right there and then they knew this would be the
worst day of their lives as a firefighter. As
everyone looked up, the world just stopped.

As they race towards 1 World Trade Center, Jules
is there with his camcorder taking footage as
the firemen enter the lobby. Their mission: get
up 80 stories to rescue people. To the firefighters,
this was only a routine fire that they would have
to put out. It would be a tough job, but they
would put it out! They knew nothing of
the events that were about to unfold.
The documentary dramatically tells the story of
events through the eyes of the men that were there.
The camcorder that Jules holds becomes the only
true eyewitness record of the events inside the
Tower 1 lobby all the way through the collapse of
the two towers.

Gedeon, meanwhile, remains at the firehouse with
Tony, who was off-duty when the alarm came in.
Gedeon decides to go after his brother. As he
takes his video camera in hand, we see the
remarkable chain of events that happen on the
streets of lower New York. There is complete
fear and panic on the streets covered with layers
of dust, almost looking as if a snowstorm had
blown threw.
9/11 is released as a commemorative
DVD Edition that contains 20 minutes of added
material in its documentary, and an additional
50 minutes of interviews with firefighters in
its supplements.
The one major gripe I have with this DVD is that
all the footage of Robert DeNiro is gone. Why
on earth was his participation in this presentation
removed?
As far as added material, I can only tell you
the things I noticed added (it has been nearly
7 months since the TV airing). There is a rather
graphic orientation slideshow for the new recruits
showing burn victims. These are rather disturbing
photos and I can understand why a network would
want them removed. Most of the additional material
involves the firemen who were separated from each
other during the attack.
How is the transfer?
The video footage is raw and often as good
as the conditions it was filmed under. Despite
that, most of the documentary comes across quite
vividly, but often slightly unfocused. Facial
tones tend to be more red -- but hey, this isn't
a theatrical presentation -- this is a videotaped
documentary.

The only problem with the transfer is Paramount's
choice to present this DVD in a Widescreen
(1.78:1) transfer. Not that I am complaining,
but this causes a bit of a problem with some of
the video shots giving a stretched ratio. Faces
in some of the crowd shots look wider than they
should be, and in one shot, the Empire State
Building looks like it gained some weight.
This ratio also cuts off a tiny bit of picture
information on the top and bottom resulting in
the bottom of added text being cut off.
The screenshots are the most accurate representation
I could give without distortion. The image actually
filled my anamorphic television as a 1.85:1 transfer
would.
The audio of the disc sounds very clean, crisp
and detailed. What I like about this unprocessed
sound is that when the streets of New York become
buried in soot and dust, the sound suddenly takes
on a very realistic numbing effect -- the same
kind of silence you would hear if you walked outside
your house after a snowfall.
Though this DVD does indicate closed captioning,
there are no subtitles available from the remote
menu.
Final Thoughts
This is as real and intense as life gets --
without the support of actors or staged events
to shock us, to make us cry, to make us angry.
This powerful visual document is a tribute to
the real-life heroes who showed courage, strength
and compassion during the city's darkest hours.

Purchasing this DVD is the best thing you can
do for yourself and the firefighters, as proceeds
from the sale of this DVD go to a scholarship
fund for firefighters.
Release Date: September 12, 2002
 

Tino

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I will be picking up this excellent documentary along with the equally powerful HBO documentary 9/11: In Memoriam.
I work in Manhattan regularly and still to this day get choked up every time I look at that "Empty Sky".:frowning:
 

Adam_WM

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I can't wait for this to come out. I don't know that I will watch it over and over, but it is something that I will want to hang onto for history's sake. Thanks for the great review.
As for Deniro, Ron, I have to respectfully disagree. I thought Deniro looked like he was struggling through reading the cuecards. "I'm Robert... Deniro...I'm here...at Ground...Zero...where last... week...", etc. It was almost as if he was trying to do his best Christopher Walken impression. Like the Anna Nicole Show, his delivery was funny, even though it wasn't supposed to be. ;) If I remember correctly, many critics loved the documentary and found DeNiro's non-prepared style to be disrespectful.
Also, question, was the changing of the aspect ratio a stretch job or just a cropping? Do you think they did it in order to appease the widescreen market? I thought the Full Frame version was fine on network television. ANy ideas?
 

Colin Jacobson

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Okay, Ron, I'm confused. You state that the DVD's 16X9 enhanced, but my copy sure isn't. I even contacted Paramount to ask why not, and I was told it was the filmmakers' decision.

Stunning documentary in any case. I didn't see it on TV, so I can't compare the De Niro stuff to the version without him. Either way, it's more dramatic and engrossing than I imagined...
 

MikeEckman

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Okay, Ron, I'm confused. You state that the DVD's 16X9 enhanced, but my copy sure isn't. I even contacted Paramount to ask why not, and I was told it was the filmmakers' decision.
Everything I have read online has indicated that this was presented in non-anamorphic letterboxed widescreen. Either those plans changed at the last minute, or perhaps Ron was just mistaken.

Either way, this is the only 9/11 DVD I plan on buying.
 

cafink

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I think Ron just made a typo (perhaps he was working from a template and forgot to change that field?) because the screenshots he posted are clearly not 16:9 enhanced.
 

Ronald Epstein

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The box indicates Widescreen Version.
I have made the proper corrections -- my apologies.
 

Jeremy Conrad

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Should we start a 'No OAR = No Sale' Petition for Paramount on this title?!
I honestly can't remember if the original broadcast version was widescreen (it may have been - I have it on tape and need to check), but the documentary may have been shot letterboxed.

Most good DV cams (like the ones that the brothers used) give you an option for letterboxed or 16:9 widescreen, but a lot of people simply go for the first option.
 

Adam_WM

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The doc was broadcast full-frame. Whether or not something was P&S off of it, I don't know.
 

Tino

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The CBS 9/11 documentary was NOT broadcast full frame. It was shown widescreen at about 1.78:1 I would guess.
 

Matt Wallace

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"Should we start a 'No OAR = No Sale' Petition for Paramount on this title?! "
That's a pretty damn tacky post, considering the subject matter. Feel proud? I'M impressed. :thumbsdown:
Matt
 

Colin Jacobson

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Either way, this is the only 9/11 DVD I plan on buying.
It's the only one I plan to strongly recommend. I watched the HBO special tonight and wasn't nearly as impressed with it as I was with 9/11. The HBO program seemed to sketchy and cursory, and it also came across as more manipulative than 9/11. The latter drew me in and knocked me for a loop, while the former felt too short - it was like a Cliff's Notes synopsis of the day. To be sure, it had its powerful moments, and I may well have been more impressed with it if I hadn't already seen 9/11, but by comparison, the latter's a much better program.

You know what I think would make a good 9/11 related package? 9/11, America: A Tribute to Heroes, and The Concert For New York City. The last two are heavily music-oriented, of course, but they fully encapsulate the pain of the immediate aftermath (Tribute) and the strength and resolve that emerged in the subsequent weeks (Concert). 9/11 provides the "you are there" emphasis, and the whole set really would offer the perfect complement for anyone who wants a full record of America in the fall of last year...
 

YANG

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Come on guys...
This is a documentary,not a movie!
Anamorphic or not,it is not a major concern!
The most important part,is the filming of the actual tragic event,capturing of the actual conversations of every single person in that event relates to the incident.
What i did not see,is the subtitles...
 

Colin Jacobson

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What i did not see,is the subtitles...
Yeah, that was another unusual choice. I was told they omitted the subtitles because it would be tough to communicate all the non-verbal sound from the occasion. The disc DOES include closed-captioning, though...
 

nousername

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Okay, I just rewatched the original broadcast of the 2 hour 9/11 documentary on CBS that I taped back in March. Here are some of my observations:
  • There is definitely some stretching (ie., distortion) of the image in certain portions of the original broadcast. In particular, the stretching occurs in the scenes of the people running/walking away after the collapse of the South Tower (the second to be hit, and the first to fall). The image seems stretched horizontally, making people look slightly fatter than normal.
  • The same type of horizontal stretching shows up in other scenes, particularly scenes which show large groups of people congregating or walking.
  • I only mention this to let people know that the "stretched ratio" that Ron mentions in his DVD review is also in the original broadcast. Therefore, it appears that the DVD is at least faithful in this regard.
  • For the majority of the original broadcast, however, there is no stretching or distorting of the image. Only in certain portions does it occur. Once I get the DVD, I will do a more thorough side-by-side comparison.
  • I did not notice any textual information being cut off in the original broadcast.
  • The original broadcast is definitely letterbox widescreen for the most part (looks like 1:78:1). However, when the pictures of the firemen who died are shown at the very end, it is in 4:3 ratio.
One thing I'm curious to know is this: If the DVD is letterboxed, how did it completely fill Ron's TV, which is a 16:9 TV?
The screenshots are the most accurate representation I could give without distortion. The image actually filled my anamorphic television as a 1.85:1 transfer would.
The only thing I can think of is that he zoomed in with his TV or DVD player...
 

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