Printed over a white base is full color matte imagery that literally appears to bleed into the glossy background until one realizes that the gloss is actually printed atop the matte.
I’m betting that it will be a First Printing thing – think the 1851 Moby Dick – and may soon be going for huge numbers to the growing number of slipcover collectors world-wide.
I’m not making note of the importance of the slipcover design first because there’s anything wrong with what’s within. Conversely, the film is a superior production. Artfully written and directed, and based upon the novel by Alasdair Gray.
The cast led by Emma Stone, and supported by Mark Ruffalo and Willem Dafoe is likewise superb.
For those not yet exposed to this work, it is not your run of the mill rom-com, and your attention will not go unrewarded.
As a Fox Searchlight release via Disney, it’s been released only in Blu-ray format even though it was shot on film in both S35 as well as 35/8, and finished in 4k.
While the Blu-ray is lovely, a 4k would have been a major step up. It’s a pity that the extraordinary Victorian art direction can only be seen in 4k via streaming. Apparently, the digital code is also HD only.
Audio is likewise offered not in Dolby Atmos but DTS-HD MA 5.1.
Colors, grain structure, black levels, all nicely rendered.
Another one of those “what might have beens.”
Image – 8
Audio – 9 (DTS-HD MA 5.1)
Pass / Fail – Pass
Plays nicely with projectors – Yes
Worth your attention – 10
Slipcover rating -10
Very Highly Recommended
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Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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