FrankXS
Second Unit
- Joined
- Jan 9, 2004
- Messages
- 280
When will Fox Archives make another set of announcements ? Haven't heard anything for quite some time!
Why would they bother to release DECISION BEFORE DAWN and IMMORTAL SERGEANT? Those have both been made available on DVD and eventually should be making their way to Blu.lionel59 said:Screen Archives is listing three new Cinema Archives releases:
DECISION BEFORE DAWN (Richard Basehart,previously released as a pressed disc)
IMMORTAL SERGEANT (Henry Fonda, Maureen O'Hara,also released as a pressed disc in a Classic Quad wartime set)
and a WW2 documentary called FAREWELL TO YESTERDAY made soon after the war ended.
Has anyone seen the early Technicolor movie RAMONA? Curious to find out if it's a similar transfer to the one shown on FMC.
Checked out my disc and while the video was pretty mediocre, it's not as bad as your description and not as bad as some I'd had the displeasure of witnessing from the FCA (of their academy ratio Technicolor films). I'd say it was likely a different transfer, but not a very recent one.Lromero1396 said:On RAMONA: I'm not a huge fan of the film and the transfer shown on FMC ca. 2011 was abysmal with weak color, registration errors, color fluctuations, and severe age-related damage to the audio. It sounded like a worn-out vinyl at times. Or were you referring to the MOD? I haven't seen the MOD if that's what you're asking for.
If Ramona ever gets a proper release, I hope that Fox doesn't use the crap CRI that the 2011 FMC broadcast came from and goes straight to the studio nitrate or an existing dye transfer print. That would be the best option since the original 3-strip negs are gone. However, that's 100% wishful thinking. Ramona is in my opinion a mediocre film and it doesn't seem to be well remembered. It'll probably just languish in obscurity like the rest of their vault.lionel59 said:Thanks JoHud and Lromero1396 for your comments. I have the FMC versiof of RAMONA. Was curious to find out if I should upgrade to the Archives transfer. It sounds only marginally better. As it is not in the class of DRUMS ALONG THE MOHAWK, I can't see it being restored for Blu Ray as the Ford title has been. (From what I have read, the Twilight Time is the better blu ray to acquire. The European release has sound issues ie. out of synch).
Nonetheless, as it was Fox's first 3-strip Technicolor film and the first western shot in this process, it has historical value and should be given a better release.( Sadly, the same can be said for virtually ALL of the Cinema Archives catalog!!)
An Amazon reviewer describes the color in HILDA CRANE as "washed out". The transfer broadcast on the Fox Movie Channel has - I think- quite strong color, especially for De Luxe. Can anyone comment on the broadcast print vs the Archives print? If it's a downgrade, I'll abstain from purchasing it.
For those who missed the TT version of JOURNEY TO THE CENTER OF THE EARTH, it was released in Australia yesterday (9/19). As it has an isolated score, it must be the same transfer as Twilight's. It is around $14 and a very economical alternative to the over-priced Twilight Time copies being sold at "scalper's prices" on Ebay and Amazon. I would suggest ebay.com.au or ezy.dvd.com.au
I hope that they both get transfers from proper HD masters. Cry of the City ran on FMC this past june and seemed to come from a master prepared for DVD with an original Fox logo (not a '70s one like in a lot of safety dupes) and windowboxed credits. I had only previously seen the film in an unrestored video transfer with a '70s Fox logo and no windowboxed credits.lionel59 said:Two new non-CinemaScope titles announced today by ClassicFlix for October 29th. Both have good reputations (and Victor Mature):
I will be interested to hear what the transfers are like. CRY OF THE CITY has been released in Spain but I have not seen it. I don't think MOSS ROSE has been released anywhere until now. Peggy Cummins-still living- was brought to the USA from England which much fanfare to portray Amber in FOREVER AMBER. For various reasons she was replaced by Linda Darnell (and Vincent Price by Richard Greene) and the production was re-started to (eventual) great box office effect .Miss Cummins was then cast in THE LATE GEORGE APLEY (with Ronald Colman) and following this , MOSS ROSE (which also features Vincent Price and was directed by Gregory Ratoff, a director who also acted, his most famous performance being in ALL ABOUT EVE with Bette Davis)
I'll take it as a good sign that they've decided to hand it over to TT.ahollis said:They announced DANTE'S INFERNO a for end of August, I believe, and I have not seen it listed on Amazon. Anyone know what happened?
I applaud your hopes but I'm not that optimistic.revgen said:I'll take it as a good sign that they've decided to hand it over to TT.
I have the German DVD of Cry Of The City. It's pretty good. The film itself is first class and is essential viewing for anyone interested in crime melodramas/film noir etc.lionel59 said:Two new non-CinemaScope titles announced today by ClassicFlix for October 29th. Both have good reputations (and Victor Mature):
I will be interested to hear what the transfers are like. CRY OF THE CITY has been released in Spain but I have not seen it.
I'll second that statement on the quality of the film. I was thinking about getting the R2 release, but PAL speed-up irritates me quite badly.Robin9 said:I have the German DVD of Cry Of The City. It's pretty good. The film itself is first class and is essential viewing for anyone interested in crime melodramas/film noir etc.
Please explain to me this PAL speedup you speak of. Movies were originally photographed at 24 FPS which is what I understand is the frame rate of PAL. On the other hand NTSC runs at 30 FPS which would mean a faster frame rate than they were originally photographed at. According to my reckoning NTSC would therefor run faster than PAL and would need to be slowed rather than PAL being sped up. However I'll be happy to get an alternate view to my view on this subject.I'll second that statement on the quality of the film. I was thinking about getting the R2 release, but PAL speed-up irritates me quite badly.
When showing 24 fps film, PAL just speeds it up to 25 fps to match their television frame rate (25 frames/50 fields per second). NTSC uses a special pulldown and shutter arrangement on the projector to allow 24 fps film to be shown on its 30 frames/60 fields television system at the correct speed..wesaussie said:Please explain to me this PAL speedup you speak of. Movies were originally photographed at 24 FPS which is what I understand is the frame rate of PAL. On the other hand NTSC runs at 30 FPS which would mean a faster frame rate than they were originally photographed at. According to my reckoning NTSC would therefor run faster than PAL and would need to be slowed rather than PAL being sped up. However I'll be happy to get an alternate view to my view on this subject.