Adam Lenhardt
Senior HTF Member
But don't you know, the Academy voters just pick whatever film they want to win Best Picture for editing (if nominated for both categories) or whatever film has the most cuts (if not)!Originally Posted by Chuck Mayer
Here is the irony. Of every discipline brought to bear, only one is uniquely cinematic. Only one discipline defines filmmaking. And they let Tyler Perry (who is a director and knows better) completely shortsell it. Editing is filmmaking. Everything else is a borrowed discipline.
The irony is that this year The Hurt Locker has a more plausible claim to best editing than it does to best picture. More than any of the other nominees, The Hurt Locker depended on editing and sound design to tell its story.
Even more so than screenwriters, editors are completely disconnected from what happens on set and are therefore the least understood and the most easily dismissed by the rest of the crafts. It's very hard to pick out a well-edited picture, however it's very easy to point out a poorly edited picture. The editing played a major role in hampering my enjoyment of Harry Potter and the Order of the Phoenix, for example.