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- Feb 8, 1999
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- Robert Harris
I've taken a very quick advance peek at Warner Home Video's new Errol Flynn Collection which arrives on store shelves and in mailboxes shortly.
Picking a single title from the collection as representative, I selected Dodge City (1939), directed by Michael Curtiz.
Something that must be kept in mind is that the set is streeting at or below $45. That's less than $9 per film with the bonus disc thrown in.
I felt the need to mention this because one might make an incorrect assumption that quality may have been allowed to slip to hit a price point.
It hasn't.
Dodge City was one of only ten feature films to be photographed in the new three-strip Technicolor process for release in 1939. Another was The Private Lives of Elizabeth and Essex, also in the collection. This was an expensive and intricate process with original nitrate elements having been used again and again in the intervening 66 years.
Dodge City is a beautifully rendered representation of what a Technicolor film of the era should look like -- only sharper and more detailed than was ever seen during that era. Dodge City has not gone through the digital clean-up given to some of the other Warner releases, but the film does not suffer for it.
What you are allowed to see are occasional yellow, cyan and magenta bits of damage or detritus that have become part of the film over the years -- some part of it from day one. Nothing disturbing image, and all part of the film.
If you move forward on a frame by frame basis, you'll be able to see that the three records seldom registred at splices, something normal for the process, as the records have literally been knocked out of any possible registration.
In short, the film looks as perfect as one might expect from Warner, without the extra (and exceedingly expensive) digital work.
As has been the recent Warner concept, Dodge City comes with a Night at the Movies, hosted by Leonard Maltin, ie. short, trailer and cartoon. In this case, Warner again, trumps the package by throwing in one of the few three-strip shorts of the era, the 1939 Sons of Liberty, the story of Hayn Salomon, who helped finance the American Revolution.
The short is the perfect choice, as it not only won the Academy Award, but was also directed by Michael Curtiz.
From this quick look at a single film, (and an even quicker look at a few moments of Elizabeth and Essex), I'm pleased to state that Warner has again knocked one out of the home video ballpark.
The Errol Flynn Collection gets my highest recommendation. These film are worth their weight in gold.
RAH
Picking a single title from the collection as representative, I selected Dodge City (1939), directed by Michael Curtiz.
Something that must be kept in mind is that the set is streeting at or below $45. That's less than $9 per film with the bonus disc thrown in.
I felt the need to mention this because one might make an incorrect assumption that quality may have been allowed to slip to hit a price point.
It hasn't.
Dodge City was one of only ten feature films to be photographed in the new three-strip Technicolor process for release in 1939. Another was The Private Lives of Elizabeth and Essex, also in the collection. This was an expensive and intricate process with original nitrate elements having been used again and again in the intervening 66 years.
Dodge City is a beautifully rendered representation of what a Technicolor film of the era should look like -- only sharper and more detailed than was ever seen during that era. Dodge City has not gone through the digital clean-up given to some of the other Warner releases, but the film does not suffer for it.
What you are allowed to see are occasional yellow, cyan and magenta bits of damage or detritus that have become part of the film over the years -- some part of it from day one. Nothing disturbing image, and all part of the film.
If you move forward on a frame by frame basis, you'll be able to see that the three records seldom registred at splices, something normal for the process, as the records have literally been knocked out of any possible registration.
In short, the film looks as perfect as one might expect from Warner, without the extra (and exceedingly expensive) digital work.
As has been the recent Warner concept, Dodge City comes with a Night at the Movies, hosted by Leonard Maltin, ie. short, trailer and cartoon. In this case, Warner again, trumps the package by throwing in one of the few three-strip shorts of the era, the 1939 Sons of Liberty, the story of Hayn Salomon, who helped finance the American Revolution.
The short is the perfect choice, as it not only won the Academy Award, but was also directed by Michael Curtiz.
From this quick look at a single film, (and an even quicker look at a few moments of Elizabeth and Essex), I'm pleased to state that Warner has again knocked one out of the home video ballpark.
The Errol Flynn Collection gets my highest recommendation. These film are worth their weight in gold.
RAH