The three channel stereo track for SHANE was finished in May in time for the May 27 midwest premiere in Chicago at the State-Lake Theatre. From that point forward, most openings in major cities were in widescreen with stereophonic sound. The full-coat three channel magnetic track was on a separate 35mm print that was interlocked with the picture. WAR OF THE WORLDS, SCARED STIFF, THE CADDY, THOSE REDHEADS FROM SEATTLE and CEASE FIRE were other stereophonic Paramount titles from that year. Sadly, to the best of our knowledge, none survive. Paramount, like most other studios, did not see the value of preserving the stereophonic masters after the original theatrical play-dates.