Kaskade1309
Senior HTF Member
- Joined
- Apr 7, 2020
- Messages
- 4,320
- Real Name
- S
I am running an Onkyo TX-SR605 AVR, which was purchased in and around when the model hit the market (circa 2007 or so), and while we have experienced zero issues with it thus far (save for what may be a now-failing HDMI out port that I use only for checking the receiver's settings on my 4K display and, of course, its lack of Atmos/X support), there is a weird limitation it exhibits with regard to processing certain kinds of bitstreamed audio signals, given that it just doesn't have the horsepower to do so (which makes sense at the unit's price point).
When I view some Blu-rays of older titles, mainly from "boutique" labels like Scream/Shout Factory and Kino Lorber, that have DTS-HD Master Audio 2.0 (two-channel) audio tracks, whether it's in mono or stereo, my AVR can't add processing (such as Pro Logic II) to properly send these tracks where they should go in our 5.1 setup, so the receiver falls back on sending the track to the left and right main channels (which, in our system, are Polk RTi12 towers) in Stereo mode. As you can imagine, this creates all sorts of odd effects with dialogue in films, notably a really annoying "comb filtering" problem if I'm not sitting PRECISELY in the sweet spot between the two front channels.
Now, I understand there is one workaround for this issue, which is to set my Blu-ray player (a Panasonic DP-UB9000) to "PCM" for HDMI audio output when watching these discs, and that this would allow me to use the receiver's post-processing modes to listen to the tracks more properly, as I do with DVDs that have these kinds of soundtracks (with DVDs, Dolby Digital 1.0 mono and 2.0 mono tracks are correctly steered to the center, while 2.0 stereo mixes are matrixed via Pro Logic II Movie mode). But that's not something I want to get into every time I watch one of these titles (switching from bitstream to PCM and then back again); let's put that aside for a moment...
This is only an issue when DTS-HD Master Audio 2.0 signals are bitstreamed to my AVR; it simply doesn't have the processing horsepower to play these back in any other fashion than in Stereo.
Here's what I primarily want to know, as we will eventually replace this AVR when we either get set up for Atmos and DTS:X or the HDMI out fails on us: For those of you who have newer receivers and processors and watch some Blu-rays of older titles with DTS-HD MA 2.0 mono and stereo tracks, how does the AVR process these? Is it like Dolby Digital signals on DVDs, wherein if the receiver gets a 2.0 signal, it sends everything to the center for a mono presentation and adds some kind of matrix processing for stereo presentations?
Right now, when I watch many of my Scream Factory Blu-ray titles that include 2.0 tracks, such as Nighthawks, Ninja III: The Domination and Tales From the Hood (for some reason these didn't offer an alternate 5.1 DTS-HD MA track like most of Scream's releases), or my only Kino Lorber title, the original Taking of Pelham One Two Three, my Onkyo takes these signals and sends them into the left and right main channels, which ends up sounding really weird, and I can't override this unless I do the "PCM output" switch in the player.
How are these DTS-HD Master Audio 2.0 tracks SUPPOSED to play back in a surround setup? I'm assuming the 2.0 mono and 1.0 mono tracks should come only from the center, like with DVDs, but how are the 2.0 stereo tracks supposed to be processed?
If this is the wrong area of the forum to post this query, my apologies; I wasn't sure if it belonged in Receivers/Amps, or in Blu-ray/UHD Media...
When I view some Blu-rays of older titles, mainly from "boutique" labels like Scream/Shout Factory and Kino Lorber, that have DTS-HD Master Audio 2.0 (two-channel) audio tracks, whether it's in mono or stereo, my AVR can't add processing (such as Pro Logic II) to properly send these tracks where they should go in our 5.1 setup, so the receiver falls back on sending the track to the left and right main channels (which, in our system, are Polk RTi12 towers) in Stereo mode. As you can imagine, this creates all sorts of odd effects with dialogue in films, notably a really annoying "comb filtering" problem if I'm not sitting PRECISELY in the sweet spot between the two front channels.
Now, I understand there is one workaround for this issue, which is to set my Blu-ray player (a Panasonic DP-UB9000) to "PCM" for HDMI audio output when watching these discs, and that this would allow me to use the receiver's post-processing modes to listen to the tracks more properly, as I do with DVDs that have these kinds of soundtracks (with DVDs, Dolby Digital 1.0 mono and 2.0 mono tracks are correctly steered to the center, while 2.0 stereo mixes are matrixed via Pro Logic II Movie mode). But that's not something I want to get into every time I watch one of these titles (switching from bitstream to PCM and then back again); let's put that aside for a moment...
This is only an issue when DTS-HD Master Audio 2.0 signals are bitstreamed to my AVR; it simply doesn't have the processing horsepower to play these back in any other fashion than in Stereo.
Here's what I primarily want to know, as we will eventually replace this AVR when we either get set up for Atmos and DTS:X or the HDMI out fails on us: For those of you who have newer receivers and processors and watch some Blu-rays of older titles with DTS-HD MA 2.0 mono and stereo tracks, how does the AVR process these? Is it like Dolby Digital signals on DVDs, wherein if the receiver gets a 2.0 signal, it sends everything to the center for a mono presentation and adds some kind of matrix processing for stereo presentations?
Right now, when I watch many of my Scream Factory Blu-ray titles that include 2.0 tracks, such as Nighthawks, Ninja III: The Domination and Tales From the Hood (for some reason these didn't offer an alternate 5.1 DTS-HD MA track like most of Scream's releases), or my only Kino Lorber title, the original Taking of Pelham One Two Three, my Onkyo takes these signals and sends them into the left and right main channels, which ends up sounding really weird, and I can't override this unless I do the "PCM output" switch in the player.
How are these DTS-HD Master Audio 2.0 tracks SUPPOSED to play back in a surround setup? I'm assuming the 2.0 mono and 1.0 mono tracks should come only from the center, like with DVDs, but how are the 2.0 stereo tracks supposed to be processed?
If this is the wrong area of the forum to post this query, my apologies; I wasn't sure if it belonged in Receivers/Amps, or in Blu-ray/UHD Media...