Dome Vongvises
Senior HTF Member
- Joined
- May 13, 2001
- Messages
- 8,172
I just heard what the story was about, but I finally saw a trailer for it. My God, it looks great.
Although I haven't seen Moulin Rouge mainly because I'm not a big fan of musicals, but maybe I'll check it out.You should Chris. I'm not much of a musicals fan either, but this one was a big surprise. Extremely well done. It is one of my vary favorite films.
Peace Out~
Anyone know what select cities are? I would think that DC would be one of them, but I can't seem to find any information on where or if it is playing here.Moviefone has a listing for Bethesda Row...
Jason
No, except that it was too short. I could live in Edward Bloom's world for a long time. I've seen it twice now and can't wait to see it again.
My husband saw it with me the 2nd time. He loved it. I knew he would. He cried. I knew he would. That he can open his heart to a movie like this is exactly why I love him so.
Anyone else leave the theater feeling this film was lacking something? It was a touching story but didn't seem to have that Burton flare. Like I could tell Sleepy Hollow was a Burton film even if I didn't see the credits, same goes for Scissorhands, but I didn't feel like he left his mark on this screenplay.
Just kinda let down that's all. Didn't seem all that different from a standard hollywood movie with a great story.Except for the "great story" part, I've felt this way about recent Burton films, particularly "Planet of the Apes" and "Sleepy Hollow". There was a certain perverse promise in his earlier movies, particularly Frankenweenie, Pee-Wee and Beetlejuice, and Scissorhands seemed to show that he could marry sentiment to subversion without undercutting either.
But "Big Fish" is pure treacle, without flair or nuance, and there's simply no "great story" to be found here. On the other hand, there's plenty of fooferaw about the power of stories, expressed in earnest, drawling voice-overs of rank Hallmark baloney, numbingly reassuring metaphors about life being lak a box of chocolates. It celebrates that modern American knack for shutting one's eyes to both the deep mysteries and contradictions of life for an ostrich-eye'd view of the world as some sort of childhood picture-book, a Gumpian Odyssey for self-infatuated narcissists backslapping their compulsive bent toward confabulation. In the end, it's just so much maudlin bullshit.
And, yet, despite all the earnest sentimentalizing and romanticized solipsism, the old man's finally just an insufferable windbag and his kid is simply an obnoxious, simpering bore. Maybe that's the ol' subversive Burton emerging, after all, albeit in such a shadow of a whisper that one might simply mistake it for poor filmmaking. I'm going with the latter.
I want to see this movie but I just can't see it being better than The Return of the King. I'll have to check it out myself.Different strokes I guess. I think the whole TTT series is poop, but I loved this movie dearly.
I guess I'll wait for the discussion thread to discuss this movie only to say this:
It's the only movie that I've ever cried in public at, and at that I cried for the last 10 minutes straight with a lump in my throat. Thankfully I wore a baseball cap the to theater.