Nowhere in any of these articles do the studios ever take responsibility for badly bungling Blu-ray - the ONLY true hi-def format presently available. Streaming in HD still cannot compete with a 1080p properly mastered in 4K digital transfer on disc. While it is nevertheless certain, streaming is a competitor, as an 'all or nothing at all' option it would alienate an entire segment of the aging population who - like myself - want something tangible to hold in our hot little hands; and even furthermore the point, for those who do not own a computer, or do but only know how to use it to send emails and surf for recipes, the prospect of convincing these people to digitally download ANYTHING is pretty abysmal.
But back to my main point about studios bungling the hi-def market beyond all respectability and belief. Consider the format war that kicked off DVD vs. Divex and then the Blu vs HD conundrum. Confusing the hell out of consumers and splitting the market right down the middle is NEVER a good way to launch a format. But even after the battle was ostensibly won - the war, decidedly was not. Why? Simple. When DVD entered the marketplace, virtually overnight the media conglomerates and studio giants said bye-bye to both VHS and LaserDisc. They didn't even stop to catch their breath in this decision. They simply cut the purse strings to these competing options; enforced obsolescence that made the consumer upgrade - like it or not. Not everyone did - true. I still know people who watch movies on a VCR. I personally own a few choice titles on LD I'll never part with - including the original untouched Star Wars classic trilogy - precisely because seeing it on ANY new format seems slim to nil!
However, Blu-ray debuted at the worst possible time - right before the 2008 crash. You might say, okay - but they had two years to get a toe-hold. Agreed. They did. Why didn't they? First off - price. Blu was expensive at the start. I remember A Passage to India retailing for $45.99 at my local Best Buy. Great movie - but not a very competitive price point. Then, the inevitable occurred. Studios realized - whoops! You can't just slap a movie to disc using an existing master because all the age-related artifacts show up - BADLY!!! Restorations required. Restorations take time - and MONEY - the latter, a commodity studios would rather reap than expend. Add to this, no love for Blu-ray by the studios, who insisted on keeping DVD alive after the Blu-launch; begging the understandable query from consumers: what me worry and why bother with an upgrade?!? Viable questions, indeed.
Then the absolute worst began to happen. Studios began to cut corners. And so came the onslaught of poorly mastered drivel, pumped out to Blu using masters not even worthy of a DVD release. Remember the original release of Spartacus? How about the abysmal looking The Greatest Story Ever Told, the fracas over the 'restored' West Side Story, the even bigger outcry over the first atrocious minting of My Fair Lady; the misfires that went on and on (Universal's Hitchcock box set - with about half the movies looking very bad indeed, the litany of Fox catalog suffering from teal/blue/beige biased bad color timing) with only intermittent stellar work being committed to a format that promised us "Perfect Picture and Theater Quality Sound". No studio escaped such criticisms. But what it did was to make the consumer wary of EVER buying another disc from these studios again. Get burned once for buying a West Side Story collectors set from MGM/Fox for $29.99, how reticent do you think the same consumer would be to buy another MGM/Fox title for the same, or even a lesser price?
And then came the studios collective decision to fragment an already VERY fragmented market - dumping unloved back catalog on third party distributors like Criterion, Twilight Time, and others; usually in lackluster transfers, hoping to hell the general public wouldn't get wise to the ruse. But what effectively happened was the audience for these deeper catalog titles either lost interest in them or merely got lost in the shuffle. I mean, if you want a movie made by 2oth Century-Fox, the conventional logic would have been - at least at one time - to order it from 2oth Century-Fox home video. Now, the consumer has to consider, FoxConnect, The Fox Archive, Twilight Time, Criterion, Fox Home Video proper, in addition to a proliferation of streaming sites - Amazon, Netflix, Hula etc. et al; confusing the hell out of all but the ardent movie buff who is, after all, in a chronically desperate search to get their latest fix, and therefore savvy and up to snuff on all this idiotic fragmentation.
This isn't nuclear science, folks. The mismanagement of Blu-ray has been its biggest hindrance in proliferating the marketplace and becoming the 'norm' and mainstream preferred format. Don't get me wrong. It's still the drug of choice for collectors. But it ought to have become the main staple by now for EVERYONE, if only the industry had shown a little more solidarity. Alas, the market today is so fragmented with far too many sub-standard options to compete that no ONE format - either streaming service or physical option - has the opportunity to dominate the market share. That's sad. Very sad.
But physical media is not about to go away. Someone mentioned vinyl a while back - one of the greatest resurrections of a format that ought to have stayed dead but hasn't and shows all signs of becoming the viable comeback kid of the new generation - purely, or rather, mostly, out of nostalgia. The movie industry's more recent announcements that we're on the cusp of launching Ultra-Blu - with the same ten to twenty catalog titles being peddled yet again while a bottomless wellspring of deep catalog remains even further buried beneath the rubble of time, suggests - even BADLY - that the industry still wants to find a viable physical media option to ride shotgun to digital downloading. Personally, I can't see Ultra-Blu taking off and would have preferred it if the industry had telescoped their efforts to focus on Blu-ray itself; steadily outsourcing DVD as an option and concentrating their efforts on making all of their vintage catalog accessible to consumers.
Once again - consumers haven't left physical media. The industry has done its utmost to confuse the hell out of consumers. Most don't even know what their options are. I can still mention Twilight Time in mixed company and have people think I'm referring to that 'magic hour' between sunset and night, rather than a viable third party distributor for hard to find deep catalog movies that EVERYONE should be housing on their shelves.
Simple remedy to save Blu-ray from oblivion - if, in fact, that is where it is headed.
1. Kill DVD - tomorrow! You don't have to do it all at once, but announce publicly that the old format has had its day and that none of the new films coming to disc will be available except in hi-def. Believe me, nothing convinces a consumer to switch like forced obsolescence. You won't alienate consumers. After all, you didn't when you killed off VHS and LD to introduce DVD.
2. Provide consumers with ONLY quality HD transfers. Yes, it will take more time and money to get them out in the market. But think of all the time and money saved in the long run by not having to do two, four, ten reissues of the same back catalog title, simply to fix the mistakes you've made the first time around. I'll use the CBS/Paramount new release of My Fair Lady as a primary example. Here is a disc that can long withstand CBS/Paramount going back to the drawing board to re-imagine the wheel again. Now, think of how much the company would have saved by holding off and not giving the consumer that crap-tac-u-lar first Blu that looked as though it was fed through a meat grinder.
3. Telescope the streaming market to one or two options. I recently read an article on the "top 10" streaming options. 10 is already too many. Free market enterprise is one thing. But this is lunacy. Finally, scrap the Digital Copy market option that seems to be yet another way of viewing movies when buying Blu-rays. Honestly, how many copies of the same movie do consumers need? Not that many. And again, think of all the money being wasted on having to provide so many options.
Time warp. Rewind - for almost 50 years the only way we had to listen to music was to buy vinyl and spin it at home. 50 years, not including vinyl's more recent comeback. Now we have vinyl, CD, digital streaming, burn-on-demand options, etc. In between came 8-track and then conventional 'tape' technology. Rewind #2. For nearly 30 years VHS ruled the roost. Then came DVD - said to be the panacea for all lovers of movie art. Didn't turn out so well, though, did it?!?
But back to my main point about studios bungling the hi-def market beyond all respectability and belief. Consider the format war that kicked off DVD vs. Divex and then the Blu vs HD conundrum. Confusing the hell out of consumers and splitting the market right down the middle is NEVER a good way to launch a format. But even after the battle was ostensibly won - the war, decidedly was not. Why? Simple. When DVD entered the marketplace, virtually overnight the media conglomerates and studio giants said bye-bye to both VHS and LaserDisc. They didn't even stop to catch their breath in this decision. They simply cut the purse strings to these competing options; enforced obsolescence that made the consumer upgrade - like it or not. Not everyone did - true. I still know people who watch movies on a VCR. I personally own a few choice titles on LD I'll never part with - including the original untouched Star Wars classic trilogy - precisely because seeing it on ANY new format seems slim to nil!
However, Blu-ray debuted at the worst possible time - right before the 2008 crash. You might say, okay - but they had two years to get a toe-hold. Agreed. They did. Why didn't they? First off - price. Blu was expensive at the start. I remember A Passage to India retailing for $45.99 at my local Best Buy. Great movie - but not a very competitive price point. Then, the inevitable occurred. Studios realized - whoops! You can't just slap a movie to disc using an existing master because all the age-related artifacts show up - BADLY!!! Restorations required. Restorations take time - and MONEY - the latter, a commodity studios would rather reap than expend. Add to this, no love for Blu-ray by the studios, who insisted on keeping DVD alive after the Blu-launch; begging the understandable query from consumers: what me worry and why bother with an upgrade?!? Viable questions, indeed.
Then the absolute worst began to happen. Studios began to cut corners. And so came the onslaught of poorly mastered drivel, pumped out to Blu using masters not even worthy of a DVD release. Remember the original release of Spartacus? How about the abysmal looking The Greatest Story Ever Told, the fracas over the 'restored' West Side Story, the even bigger outcry over the first atrocious minting of My Fair Lady; the misfires that went on and on (Universal's Hitchcock box set - with about half the movies looking very bad indeed, the litany of Fox catalog suffering from teal/blue/beige biased bad color timing) with only intermittent stellar work being committed to a format that promised us "Perfect Picture and Theater Quality Sound". No studio escaped such criticisms. But what it did was to make the consumer wary of EVER buying another disc from these studios again. Get burned once for buying a West Side Story collectors set from MGM/Fox for $29.99, how reticent do you think the same consumer would be to buy another MGM/Fox title for the same, or even a lesser price?
And then came the studios collective decision to fragment an already VERY fragmented market - dumping unloved back catalog on third party distributors like Criterion, Twilight Time, and others; usually in lackluster transfers, hoping to hell the general public wouldn't get wise to the ruse. But what effectively happened was the audience for these deeper catalog titles either lost interest in them or merely got lost in the shuffle. I mean, if you want a movie made by 2oth Century-Fox, the conventional logic would have been - at least at one time - to order it from 2oth Century-Fox home video. Now, the consumer has to consider, FoxConnect, The Fox Archive, Twilight Time, Criterion, Fox Home Video proper, in addition to a proliferation of streaming sites - Amazon, Netflix, Hula etc. et al; confusing the hell out of all but the ardent movie buff who is, after all, in a chronically desperate search to get their latest fix, and therefore savvy and up to snuff on all this idiotic fragmentation.
This isn't nuclear science, folks. The mismanagement of Blu-ray has been its biggest hindrance in proliferating the marketplace and becoming the 'norm' and mainstream preferred format. Don't get me wrong. It's still the drug of choice for collectors. But it ought to have become the main staple by now for EVERYONE, if only the industry had shown a little more solidarity. Alas, the market today is so fragmented with far too many sub-standard options to compete that no ONE format - either streaming service or physical option - has the opportunity to dominate the market share. That's sad. Very sad.
But physical media is not about to go away. Someone mentioned vinyl a while back - one of the greatest resurrections of a format that ought to have stayed dead but hasn't and shows all signs of becoming the viable comeback kid of the new generation - purely, or rather, mostly, out of nostalgia. The movie industry's more recent announcements that we're on the cusp of launching Ultra-Blu - with the same ten to twenty catalog titles being peddled yet again while a bottomless wellspring of deep catalog remains even further buried beneath the rubble of time, suggests - even BADLY - that the industry still wants to find a viable physical media option to ride shotgun to digital downloading. Personally, I can't see Ultra-Blu taking off and would have preferred it if the industry had telescoped their efforts to focus on Blu-ray itself; steadily outsourcing DVD as an option and concentrating their efforts on making all of their vintage catalog accessible to consumers.
Once again - consumers haven't left physical media. The industry has done its utmost to confuse the hell out of consumers. Most don't even know what their options are. I can still mention Twilight Time in mixed company and have people think I'm referring to that 'magic hour' between sunset and night, rather than a viable third party distributor for hard to find deep catalog movies that EVERYONE should be housing on their shelves.
Simple remedy to save Blu-ray from oblivion - if, in fact, that is where it is headed.
1. Kill DVD - tomorrow! You don't have to do it all at once, but announce publicly that the old format has had its day and that none of the new films coming to disc will be available except in hi-def. Believe me, nothing convinces a consumer to switch like forced obsolescence. You won't alienate consumers. After all, you didn't when you killed off VHS and LD to introduce DVD.
2. Provide consumers with ONLY quality HD transfers. Yes, it will take more time and money to get them out in the market. But think of all the time and money saved in the long run by not having to do two, four, ten reissues of the same back catalog title, simply to fix the mistakes you've made the first time around. I'll use the CBS/Paramount new release of My Fair Lady as a primary example. Here is a disc that can long withstand CBS/Paramount going back to the drawing board to re-imagine the wheel again. Now, think of how much the company would have saved by holding off and not giving the consumer that crap-tac-u-lar first Blu that looked as though it was fed through a meat grinder.
3. Telescope the streaming market to one or two options. I recently read an article on the "top 10" streaming options. 10 is already too many. Free market enterprise is one thing. But this is lunacy. Finally, scrap the Digital Copy market option that seems to be yet another way of viewing movies when buying Blu-rays. Honestly, how many copies of the same movie do consumers need? Not that many. And again, think of all the money being wasted on having to provide so many options.
Time warp. Rewind - for almost 50 years the only way we had to listen to music was to buy vinyl and spin it at home. 50 years, not including vinyl's more recent comeback. Now we have vinyl, CD, digital streaming, burn-on-demand options, etc. In between came 8-track and then conventional 'tape' technology. Rewind #2. For nearly 30 years VHS ruled the roost. Then came DVD - said to be the panacea for all lovers of movie art. Didn't turn out so well, though, did it?!?