Guardyan
Stunt Coordinator
After it was announced that Apple Music would be adding lossless streaming to entire catalog, I started to wonder: who's in charge of providing such content to the streaming platforms? Record labels?
After much that has been said, asked, and explained about ripping CDs (and other formats) to lossless on this forum, I wonder if the quality of the lossless files that are up on those streaming services are identical. I'm sure that record labels don't rip files from CDs - lol, just the thought of it is ridiculous if not really amusing - but I'd bet my money that not all record labels have the same standards when it comes to digitizing their content. A few years ago I remember there was a special release of a pop album that included some never before released tracks - pls, don't ask me about the album or artist in question 'cause I won't remember - and some fans were livid about the quality of some songs, because they didn't come from a master, but from tracks had been uploaded to YouTube (apparently someone in the crew of said artist had a copy and put it there, as a way to be accessible to hardcore fans). So if even a record label would be prone to do something like that, I'd not trust that the standard for proper digitization is always met or even good. When it comes to buying albums I just buy them online if a physical copy is not available for purchase, so I'm not one that can attest to streaming or digital music quality because I don't generally have the means to compare them, or the ear of a audiophile (unfortunately!). But when it comes to album covers, that I can attest that some of the covers we can download from stores like iTunes - especially from releases before the era of digital music advent - are really bad quality when compared to the originals. I know that some of those covers were uploaded to DBs by fans and some were uploaded by the record labels, and boy... some people really don't know how to work a scanner! I was also told by a preservation specialist that some companies do a lot of their digitization in house and not necessarily by people that have the proper training -- lots of crews relying only on software instead of properly trained professionals. I can only imagine how bad it must be to subscribe to a service wanting to enjoy their lossless catalog and eventually finding out that the lossless files weren't properly ripped.
After much that has been said, asked, and explained about ripping CDs (and other formats) to lossless on this forum, I wonder if the quality of the lossless files that are up on those streaming services are identical. I'm sure that record labels don't rip files from CDs - lol, just the thought of it is ridiculous if not really amusing - but I'd bet my money that not all record labels have the same standards when it comes to digitizing their content. A few years ago I remember there was a special release of a pop album that included some never before released tracks - pls, don't ask me about the album or artist in question 'cause I won't remember - and some fans were livid about the quality of some songs, because they didn't come from a master, but from tracks had been uploaded to YouTube (apparently someone in the crew of said artist had a copy and put it there, as a way to be accessible to hardcore fans). So if even a record label would be prone to do something like that, I'd not trust that the standard for proper digitization is always met or even good. When it comes to buying albums I just buy them online if a physical copy is not available for purchase, so I'm not one that can attest to streaming or digital music quality because I don't generally have the means to compare them, or the ear of a audiophile (unfortunately!). But when it comes to album covers, that I can attest that some of the covers we can download from stores like iTunes - especially from releases before the era of digital music advent - are really bad quality when compared to the originals. I know that some of those covers were uploaded to DBs by fans and some were uploaded by the record labels, and boy... some people really don't know how to work a scanner! I was also told by a preservation specialist that some companies do a lot of their digitization in house and not necessarily by people that have the proper training -- lots of crews relying only on software instead of properly trained professionals. I can only imagine how bad it must be to subscribe to a service wanting to enjoy their lossless catalog and eventually finding out that the lossless files weren't properly ripped.