- Joined
- Feb 8, 1999
- Messages
- 18,433
- Real Name
- Robert Harris
Elia Kazan's East of Eden, a 1955 release, produced in 1954, is early CinemaScope and WarnerColor, and that could be problematic.
As a format, CinemaScope went from 5 releases in 1953 to 35 in 1954, and then took off. The optics weren't great, and dependent upon how a film was shot, one could have an interesting case of the mumps. Fortunately, DP Ted McCord was able to wrangle the mumps problem, and at least minimize it. East of Eden was his first scope film.
Likewise, Warner Color, which was just Eastman Color processed at Warner's lab was a problem not in and off itself, but rather in the way the negatives were cut and conformed, ie short cut opticals vs long or full cut.
The poster child for the process has always been Giant, with it's fade and dissolves - some hitting a couple of hundred feet in length.
Fortunately, neither technical entity is a problem here, as opticals are of the short cut variety, and are nicely handled in the restoration.
Colors and densities work nicely, with a natural palette. Grain structure appears quite fine. Black levels also look nice, especially with a bit of HDR, which is never overpowering.
The interesting addition here is the use of Dolby Atmos to give the original stereo mix a bit of a boost and enlarge the proscenium.
Does it make full use of 4k? Not really, but there may be a few exterior shots that are above 2. From a nominal seating distance, nothing much is gained, and a quality Blu-ray with compression at a high data throughput would have sufficed.
East of Eden is one of the great films, and I'm pleased that it made the cut in the WB100 line-up. It should be in the library of every serious cinephile. And lest it go unnoticed, it was James Dean's first lead role, getting billing just behind the great Julie Harris.
Image – 5 (Dolby Vision)
Audio – 5 (Dolby Atmos)
Pass / Fail – Pass
Plays nicely with projectors - Yes
Makes use of and works well in 4k - 5.5
Worth your attention - 10
Upgrade from Blu-ray - Yes
Slipcover rating - n/a
Very Highly Recommended
RAH
Thank you for supporting HTF when you preorder using the link below. As an Amazon Associate, HTF earns from qualifying purchases. If you are using an adblocker you will not see link.
As a format, CinemaScope went from 5 releases in 1953 to 35 in 1954, and then took off. The optics weren't great, and dependent upon how a film was shot, one could have an interesting case of the mumps. Fortunately, DP Ted McCord was able to wrangle the mumps problem, and at least minimize it. East of Eden was his first scope film.
Likewise, Warner Color, which was just Eastman Color processed at Warner's lab was a problem not in and off itself, but rather in the way the negatives were cut and conformed, ie short cut opticals vs long or full cut.
The poster child for the process has always been Giant, with it's fade and dissolves - some hitting a couple of hundred feet in length.
Fortunately, neither technical entity is a problem here, as opticals are of the short cut variety, and are nicely handled in the restoration.
Colors and densities work nicely, with a natural palette. Grain structure appears quite fine. Black levels also look nice, especially with a bit of HDR, which is never overpowering.
The interesting addition here is the use of Dolby Atmos to give the original stereo mix a bit of a boost and enlarge the proscenium.
Does it make full use of 4k? Not really, but there may be a few exterior shots that are above 2. From a nominal seating distance, nothing much is gained, and a quality Blu-ray with compression at a high data throughput would have sufficed.
East of Eden is one of the great films, and I'm pleased that it made the cut in the WB100 line-up. It should be in the library of every serious cinephile. And lest it go unnoticed, it was James Dean's first lead role, getting billing just behind the great Julie Harris.
Image – 5 (Dolby Vision)
Audio – 5 (Dolby Atmos)
Pass / Fail – Pass
Plays nicely with projectors - Yes
Makes use of and works well in 4k - 5.5
Worth your attention - 10
Upgrade from Blu-ray - Yes
Slipcover rating - n/a
Very Highly Recommended
RAH
Thank you for supporting HTF when you preorder using the link below. As an Amazon Associate, HTF earns from qualifying purchases. If you are using an adblocker you will not see link.
Last edited by a moderator: