Neil S. Bulk
Senior HTF Member
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- Sep 13, 1999
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- Neil S. Bulk
There's a lot of confusion around matrix surround sound but that's probably a topic for a different thread.
On the flipside, it bugs me when people complain about the lack of "original audio" on films which were 70mm Dolby and barely remixed.On a website devoted to the reproduction of films as they originally ran theatrically, I consistently find myself perplexed by complaints about movies that lack "modern" audio.
This has become especially true in the Atmos era. People seem to get very upset when new-ish movies don't get Atmos remixes.
I'm fine with remixes - as long as the theatrical audio appears as well.
But I don't get complaints when a release doesn't include a remix.
I dunno. Maybe I’ll check back in around that time and see.[…]
But no matter. In another 4-6 weeks no one will be commenting on this. Just another one for the fire.
He always listens to the fans. Think of how he painstakingly he restored the original trilogy back to their lo-fi glory based on all the feedback received about the "improvements."A few weeks later…
After cooling down, I realized that I hadn’t read the other cross-reference reviews of American Graffiti; as written by the other sites. I usually read from 5 different sources, ala the written word.
Well, it seems that everyone hated what George Lucas has done or “approved” to his masterpiece film. Horrendous scores.
Damn, I’m all worked up, again.
Alright, already, the artist does have the right to alter their works; but the audience consequently also has the right to their preferences from memories past, and of over 50 years..
Calling George Lucas…please help out your fans and go back to the drawing boards…please.
Whether an “expert” or not, my rating for archival quality was 1.5.I view by projection and trust me this is not a 5 star image, never, not ever in a million years would it rise above 1, we need to stop all this A.I upscaling and DNR of the film grain.
You know what I was watching this last month, many Hitchcock classics, they have some interesting documentaries featuring film restoration experts, these experts give us detailed information on how they saved them.
So lets play devils advocate, if Vertigo or Rear Window or Spartacus had been treated the way American Graffiti has been treated would we even be discussing 5 star rating at moderate seating distances, no we would not, it would be 1 star rating, but I appreciate people have jobs in the industry and cannot rock the boat too much.
Looks like we might get several more disasters in 2024, True Lies, Aliens, I have bad feelings about those films when they debut on UHD and I have a very bad feeling some experts might give them 5 star ratings.
I rather like the new “Archival Rating” distinction in conjunction with the “Entertainment Rating”. It may not stop the controversies of how a disc turned out, but it should surely put an end to how the readers challenge the diagnostics of what you’re seeing, reviewing and the “whys” as to how you score.Whether an “expert” or not, my rating for archival quality was 1.5.
Sorry, nuanced perspectives aren't allowed on the internet.Whether an “expert” or not, my rating for archival quality was 1.5.
Hang on…I rather like the new “Archival Rating” distinction in conjunction with the “Entertainment Rating”. It may not stop the controversies of how a disc turned out, but it should surely put an end to how the readers challenge the diagnostics of what you’re seeing, reviewing and the “whys” as to how you score.
You’ve guided and educated us well for decades; Master Classes quite frankly, and for free, no less.
With gratitude,
PMF (Philip)
He doesn't care what some vocal naysayers say nor whether most people would enjoy how this movie looks on their 4K screens.I wonder if George Lucas was taken by surprise when learning of just how many bad reviews he garnered for his 4K/UHD transfer of American Grafitti.
That's the problem with internet outrage; it vastly overestimates its own importance. Personally, I'm not thrilled with what was done to American Graffiti, but George Lucas gives exactly zero ****s about what I think. Or anybody else on the internet, for that matter. He's spent decades demonstrating conclusively how little that he cares about what his own fans think. So while I may not be thrilled with the results in this case, I'm going to expend exactly zero energy on outrage about it. I suggest that others do the same.He doesn't care what some vocal naysayers say because he thinks most people would enjoy how this movie looks on their 4K screens.
That's the problem with internet outrage; it vastly overestimates its own importance. Personally, I'm not thrilled with what was done to American Graffiti, but George Lucas gives exactly zero ****s about what I think. Or anybody else on the internet, for that matter. He's spent decades demonstrating conclusively how little that he cares about what his own fans think. So while I may not be thrilled with the results in this case, I'm going to expend exactly zero energy on outrage about it. I suggest that others do the same.
Reading the feedback and then doing something about it are two different things. TBH, I’m not sure how much this forum represents the general public’s POV.Stephen,
I mostly agree with you here. Ultimately, what Directors do with their films is by right, their choice, and in the end, they don't give a shit.
However, Internet outrage has its place. It's feedback. It wasn't long before George Lucas learned how much fans were dissatisfied with his prequels.
I also think, on forums such as these, the studios do read the feedback and I think it's important that continues.
True on all counts but at least the feedback is heard for what it’s worth.Reading the feedback and then doing something about it are two different things. TBH, I’m not sure how much this forum represents the general public’s POV.