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Bill Paxton has a memorable role as the terrorizing older brother, Chet.TravisR said:^ It's a John Hughes movie. Two nerds (Anthony Michael Hall and another dude) build a hot woman (Kelly LeBrock) with their computer and chaos ensues.
I like the movie but if you're not a child of the 1980's or at least saw it when you were young, the chances of you liking it are probably pretty slim.
The anamorphic re-release from years ago had the original music so I'd assume that they got the rights in perpetuity at that point.Ethan Riley said:Music replacement?
It's unfortunate news about the transfer but that's a pretty funny joke.Persianimmortal said:But shame on Universal for treating one of the greatest movies of the 20th century (it routinely appears in the AFI's top 50,000 movies list) in this manner.
IIRC, John Hughes was in the Guinness Book of Records (no joke) at one point as "Fastest Screenwriter", for reportedly writing Weird Science, Ferris Beuller and The Breakfast Club in four days.Tino said:I was a teenager in the 80's and even then I thought it was pretty bad, his worst film till that point. I watched it recently on HBO and it didn't fare much better. Of the films John Hughes has directed, Curly Sue is his worst, with She's Having My Baby his second worst and then this.
Seriously, he never "spoke to a generation". But if his dramatic themes resonated with much of the teens(and adults) of the 80's, I'd attribute that to a well written movie rather than gags, and cartoon music.Ejanss said:IIRC, John Hughes was in the Guinness Book of Records (no joke) at one point as "Fastest Screenwriter", for reportedly writing Weird Science, Ferris Beuller and The Breakfast Club in four days.
And not to be harsh, but in Weird's case....it shows.
(And as a teen in the 80's, I was never Breakfast-Club hypnotized into thinking Hughes "spoke for a generation, as I always associated Hughes with loud slapstick gags, over-the-top camera shticks and cartoon music.
I remember seeing a Hollywood screenwriter in a TV documentary talk about how it was both a cause and product of his lifestyle that he was literally afraid of maturity--"I keep thinking someone's going to walk up to me one day and slap an 'Adult' label on my chest"--I don't remember who it was, but darn, that sounds like the guy who wrote Breakfast Club in his 40's.
Which's why I go easy on She's Having a Baby--It looked like Hughes finally trying to look maturity, marriage, and a day job in the face and come to terms with adulthood for the first time, but then his next big hit was Home Alone. Ah, the road not taken. )