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Whether the licensees actually touch film or data, or not, they still have the ability to reject a master. It’s now become apparent that at least one IP provider is not being transparent with its licensee re what is being delivered.

Ultimately, the post houses have to give the client precisely what they request, even if the client may not understand what they’re requesting, or possibly why they should not. I’ve always found that the best route (from an archival perspective) is to reproduce the look of the final approved...

That’s what that gadget was! Platoon actually goes back four months, which can be a lifetime in 4k screw-ups.

Looks like film. I’m thinking that to achieve “safe to pre-order” status, a publisher or licensor should probably hit five in a row. Should not be difficult.

Agreed. I’ve also not seen Red Dawn, but presuming it falls into line with other MGM OCN sans, I’d bet it’s fine.

Erased from my memory. I’m working through the last quarter, and allowing that as an innocent error. They’re on a great path, and I want to see it continue.

Shout is selecting interesting and prudent titles to release in 4k, and thus far quality has been superb, regardless of the licensor. WarGames, a terrific teen thriller holds up beautifully after four decades, from filmmaker John Badham involves a computer wizard (Matthew Broderick) in his...