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Returning to the original post, I’m confused. Why would Russell Metty, a Universal stalwart, be shooting a musical at the studio, with a 1.66 plate in his finder?

Thank you, Vern. I can add to that. Magnetic tracks do not necessary mean that a film is stereo. Nor does 70mm. RAH

Torn Curtain. All I see are the knee pads.

Since TMM was very early sound on disc, the correct ratio is 1.33:1. No further discussion necessary. Hopefully, the original six-track mix has been harvested from the original 32” wax cylinders. Precisely the same as MFL.