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80 is a problem film for a number of tech reasons.

If I’m recalling correctly, I believe I saw Zhivago at the Boyd. just noticed this to be my 14,000th message.

You’re correct. I’ve always confused it with another film. But his ability to achieve huge productions was a plus.

One thing that Mr. DeMille had going for him were rather unrestrained budgets, especially in Technicolor productions such as Reap the Wild Wind. But those tableaux don’t do it for me. One must believe that at some point in the studio commissary there must have been discussions between he and...

I actually have a great deal of respect for Mr. De Mille and his work. My problems are generally with his use of dialogue, which much of the time seems stilted and stuck in the silent era. As to Greatest Show, once we know the lead characters name, it’s unnecessary for virtually every other...

I actually love cue marks. As to a bit of detritus, you can get to 95% clean. To reach 96, add 25% to the budget. No matter how much cleaning one performs, once a certain size minus density is cleaned, those slightly smaller come to the fore.

Braden

Gee, Brad, it's not as bad as all that. Some contemporary reviews really liked it. Mr. DeMille's 1952, 152 minute circus extravaganza, The Greatest Show on Earth finally arrives from Paramount, as one of the hold-out Best Pictures to hit Blu-ray as spine number 16. It just doesn't stand that...