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The 3D shots for KMK were cut in at the print stage.

In 1951, it would have been a bit less resolved.

As a 1950 production, Show Boat would be nitrate. Technicolor was a late safety adopter, which is fortuitous, as nitrate registers better than early acetate.

A couple of them are. And are very interesting.

Perfectly!

So is Lawrence of Arabia. And quite a few others. I was wondering when someone would bring up the ‘36. And how about that part talkie version?

Especially in projection, mit out HDR!

One of the Great Technicolor M-G-M musicals, the George Sidney / Arthur Freed Show Boat, has come to life in a huge way via Warner Archive's new Blu-ray. Based upon new scans of the original camera negatives, color literally jumps off the screen. This is one of those productions that cry out...