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A wonderful opportunity for all involved, led by some with immense passion. I couldn’t be happier!

Not only from a 35 element, but at the wrong speed. 80 in its 30 format was an okay, but technically brilliant film. In 24, it’s merely okay, helped along by non-sync footage shot at 30, played back at 24.

New film prints are produced for marketing and to make certain film makers smile. Having sampled 70mm vs 4k - same content, same screen - digital provides a cleaner, more highly resolved image. The two have different souls.

A number of years ago, I came upon a number of dye transfer rolls in an LA vault, possibly sitting around to be used as fill.

Major physical differences between the two film. How is a basically unfaded set of negatives, while Grimm is incomplete and water damaged. I’ve not budgeted, but think 1.5 - 1.8 million.