The Hanging Tree is an interesting, and under-appreciated film, that I enjoy simply as a Gary Cooper picture, and as the film which introduced me to the term “sluice robber.”
It’s also the first time a cinema audience got to take gander at a gent named George Scott.
Technically, it’s been a problematic film. Past home videos releases were less than stellar, and the wonderful folks at Warner Archive understood that and went for gold.
Underlying lit had fallen prey to the Abend decision, and had to be re-purchased by the studio. Because of underlying, the film was out of distribution for probably twenty years, and when it returned, it did so with mediocre elements.
Since prints were Technicolor, there was no IP…
So Warner Archive pulled the original camera negative into service, and it looks it. After a 4k scan, new color and clean-up, The Hanging Tree once again looks (and sounds) superb.
The fact that they were able to hide fade is a testament to the colorist.
The Hanging Tree is important for many reasons, but among the greatest is the outdoor cinematography courtesy of Ted McCord (The Sound of Music, The Treasure of The Sierra Madre, East of Eden).
Music is by that Steiner guy, who takes the main title theme, and blends it beautifully into the overall score, as he did with Casablanca.
Is there a downside.
I’m afraid there is.
The Main Title is a bit dupey. Not terrible, and may have always been that way, but once out of it, and into production photography, it’s nirvana the rest of the way.
As an aside, director Delmer Daves became ill during the shoot and direction was taken over by…
Wait for it…
Karl Malden.
Color, densities, grain structure and black levels are gorgeous.
Support investments in restoration. Please purchase a dozen or so copies, and distribute to friends.
Image – 5
Audio – 5
4k Up-rez – 5
Pass / Fail – Pass
Upgrade from DVD – Absolutely!
Highly Recommended
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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