Stephen Heath
Stunt Coordinator
- Joined
- Jan 31, 2003
- Messages
- 91
I can't see how this would work big picture.
Theoretically, you would want every single copy of a movie to have a unique watermark so you could pinpoint down to the person who let the original copy out of the bag. Except that really doesn't do anything because noone would be involved in tracing serial numbers from manufacturer to purchaser, especially since the purchases may resell the DVD to someone else.
That would also massively increase the costs to press the discs since you wouldn't be doing volume runs, but rather individual runs. Therefore it's most likely that they will mark them by categories. Ie, one watermark for ones going to rental outlets (assuming they are seperate press runs), one for screeners to academy awards, etc. Well, if you're only doing 5 or 6 different runs, if you mark all but one of them, the complete LACK of a watermark can tell you it comes from the last type. Make that the consumer DVD type mass-merchandise version, and consumers are happy.
As for a transparent watermark... maybe it's not an actual watermark at all, but the absence of a single frame? I'd have no complaint about that. The human eye can see what, 32 frames per second? And cameras record 65 or so? They could tell which frame was missing (or if none were, it came from the director =p), but again, how does that help them? The only time that is practical is oscar screeners, because then at least you have a record of who received which one.
Theoretically, you would want every single copy of a movie to have a unique watermark so you could pinpoint down to the person who let the original copy out of the bag. Except that really doesn't do anything because noone would be involved in tracing serial numbers from manufacturer to purchaser, especially since the purchases may resell the DVD to someone else.
That would also massively increase the costs to press the discs since you wouldn't be doing volume runs, but rather individual runs. Therefore it's most likely that they will mark them by categories. Ie, one watermark for ones going to rental outlets (assuming they are seperate press runs), one for screeners to academy awards, etc. Well, if you're only doing 5 or 6 different runs, if you mark all but one of them, the complete LACK of a watermark can tell you it comes from the last type. Make that the consumer DVD type mass-merchandise version, and consumers are happy.
As for a transparent watermark... maybe it's not an actual watermark at all, but the absence of a single frame? I'd have no complaint about that. The human eye can see what, 32 frames per second? And cameras record 65 or so? They could tell which frame was missing (or if none were, it came from the director =p), but again, how does that help them? The only time that is practical is oscar screeners, because then at least you have a record of who received which one.