- Joined
- Feb 8, 1999
- Messages
- 18,425
- Real Name
- Robert Harris
Modified 8/5/12
Howard Hawks' Gentlemen Prefer Blondes (1953), was one of the last of its kind. Especially for Fox.
Three-strip Technicolor, 1.37, monaural.
As a Marilyn Monroe film, it was only her fourth with star billing, although home video packaging might have you believe otherwise, especially when it comes to earlier titles.
As a Blu-ray, I'm not quite certain what to make of it.
Color looks correct, with rich blacks, and the normal Tech look for the era. Grain is virtually unseen. And the grain that is on screen is abnormal, some of it hanging in backgrounds, immobile. The image was harvested from the original Technicolor safety negatives, but I'm trying to figure out what then occurred.
I'm afraid that this is another of those titles that will look fine up to around 60 inches or so. But the grain structure, for those who have an interest in such things, and how it looks on screen, may not come into play until one gets a third or more larger.
Image - 3.5
Audio - 4
RAH
Howard Hawks' Gentlemen Prefer Blondes (1953), was one of the last of its kind. Especially for Fox.
Three-strip Technicolor, 1.37, monaural.
As a Marilyn Monroe film, it was only her fourth with star billing, although home video packaging might have you believe otherwise, especially when it comes to earlier titles.
As a Blu-ray, I'm not quite certain what to make of it.
Color looks correct, with rich blacks, and the normal Tech look for the era. Grain is virtually unseen. And the grain that is on screen is abnormal, some of it hanging in backgrounds, immobile. The image was harvested from the original Technicolor safety negatives, but I'm trying to figure out what then occurred.
I'm afraid that this is another of those titles that will look fine up to around 60 inches or so. But the grain structure, for those who have an interest in such things, and how it looks on screen, may not come into play until one gets a third or more larger.
Image - 3.5
Audio - 4
RAH