- Joined
- Feb 8, 1999
- Messages
- 18,428
- Real Name
- Robert Harris
What a extraordinary film!
No doubt about it. A classic.
But yet another film that has never been handled well for home video.
Olive's new Blu-ray is decent, but the truth is they never really did get a fair shake.
As a film shot 1.37 and released in SuperScope, one of the most ridiculous scams to be perpetuated on both the public and theater owners, its problems were far worse than shows shot on Eastman Color.
At least color productions could go from the original 1.37 negative to optically produced matrices to dye transfer prints.
No such luck for poor Invasion.
Original negative to fine grain master.
Fine grain master to an optically produced scope, matted 2:1 dupe printing negative.
And for our new Blu-ray, it appears that the source was a fine grain produced from the dupe neg. Not a pretty picture to begin with.
I'll ask the age old question
Where is the original 1.37 negative? Gone?
Scan that negative, crop to whatever aspect ratio is desired, and at least one has a quality image.
Here, we've begin with a dupe of a dupe of a dupe.
Like High Noon, it looks far, far better than anything that preceded it, but where's that OCN or an original fine grain?
Black levels? Okay. Gray scale? Adequate. Shadow detail? Meh...
A great, and important film, both from an entertainment, as well as from a political perspective.
Image - 3
Audio - 4
RAH
No doubt about it. A classic.
But yet another film that has never been handled well for home video.
Olive's new Blu-ray is decent, but the truth is they never really did get a fair shake.
As a film shot 1.37 and released in SuperScope, one of the most ridiculous scams to be perpetuated on both the public and theater owners, its problems were far worse than shows shot on Eastman Color.
At least color productions could go from the original 1.37 negative to optically produced matrices to dye transfer prints.
No such luck for poor Invasion.
Original negative to fine grain master.
Fine grain master to an optically produced scope, matted 2:1 dupe printing negative.
And for our new Blu-ray, it appears that the source was a fine grain produced from the dupe neg. Not a pretty picture to begin with.
I'll ask the age old question
Where is the original 1.37 negative? Gone?
Scan that negative, crop to whatever aspect ratio is desired, and at least one has a quality image.
Here, we've begin with a dupe of a dupe of a dupe.
Like High Noon, it looks far, far better than anything that preceded it, but where's that OCN or an original fine grain?
Black levels? Okay. Gray scale? Adequate. Shadow detail? Meh...
A great, and important film, both from an entertainment, as well as from a political perspective.
Image - 3
Audio - 4
RAH