The 1940 version of THE THIEF OF BAGDAD is gorgeous, as is the 1936 melodrama THE GARDEN OF ALLAH . Both are available on DVD in breathtakingly beautiful transfers.
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DAYS OF HEAVEN BARRY LYNDON THE DUELLISTS THIRD MAN BLACK NARCISSUS THE RED SHOES THE SWEET HEREAFTER MANHATTAN LAWRENCE OF ARABIA
and I would add...
THE LAST PICTURE SHOW WALKABOUT MASQUE OF THE RED DEATH (Cinematography by Nicolas Roeg) THE PIANO GREAT EXPECTATIONS (1946) BEAUTY AND THE BEAST (1946) THE INNOCENTS* AKIRA KUROSAWA'S DREAMS THE BLACK STALLION SCARAMOUCHE DANCES WITH WOLVES CITIZEN KANE TRUE GRIT WINGED MIGRATION* HOW GREEN WAS MY VALLEY BLOW-UP* MICROCOSMOS* (and THE HELLSTROM CHRONICLE) THE MISSION NIGHT OF THE HUNTER ON THE WATERFRONT FAR FROM THE MADDING CROWD* (Roeg again) RYAN'S DAUGHTER* *okay, not on DVD, but bound to be eventually...
watched part of Barry Lyndon last night. oh-man-oh-man is that one gorgeous movie! one vintage Black & White that hasn't been mentioned yet, but is as beautiful as any movie i've ever played- The Bad & The Beautiful
and i would enthusistically concur with Days Of Heaven Black Narcsisus The Sweet Hereafter Manhattan Walkabout Sunset Boulevard
The extraordinary Nicolas Roeg and Anthony Richmond visual duets, Don't Look Now and The Man Who Fell To Earth are stone classics, in my opinion and the DVDs of both are stunning.
Portrait Of Jennie (1948, William Dieterle) photographed by the great Joseph August is so beautiful, both in story and cinematography that words cannot express how wonderful the film is. Timeless.
Casablanca is the most beautiful and inspiring film ever made. It is a universal work of art that has no pretentions to be 'art'. Every shot of Ingrid Bergman melts the heart. Arthur Edeson excelled himself - as did everyone - on that film. As time goes by, it just looks better and better and makes me feel better and better every time.
Francis Bacon once said that, "The job of the artist is to deepen the mystery." Well, Werner Herzog's, Heart Of Glass takes me to the bottom of the Mariana Trench. Viewed by some as a massively pretentious film, and by some, a massively prententious filmmaker in general, I find the film perhaps the last word in vivid, otherworldy filmmaking. Jorg Schmidt-Reitwin - a cinematographer I am knowledgable about, shot the film and it's just... awesome. The Anchor Bay DVD is great.
Jon Sheedy rightly lists The Duellists. Incredibly beautiful images just keep coming at you in this film. I don't think I've ever seen a modern film that captures natural light and uses it so brilliantly as Frank Tidy and Scott did on this film. The Paramount SE is stunning.
On the subject of Ridley Scott, I'm sure that the Warner SE of Blade Runner will look amazing, and I cannot wait see it. Often copied, but never bettered, Jordan Cronenweth's (where is he now?) gloomily beautiful cinematography, meticulously crafted by he and Scott is something that I'll never tire of being drawn in to.
Oh, Catch 22 is... agh! Holy smokes, that movie is shot to perfection. But in an off-hand way, if you know what I mean. David Watkin. Oh, man. There's a guy with balls. Charge Of The Light Brigade? Agh! Crazy, beautiful images permeate all his early films.
Nice recommendations so far! I would say {not sure if animation could count but I'll add it anyway}
Snow White And The Seven Dwarfs Rebecca Citizen Kane The Maltese Falcon The Killers Sunset Blvd {3 in-a-row, guess I just love the noir look!} Rebel Without A Cause Touch Of Evil Vertigo Tokyo Drifter Branded To Kill The Godfather Chinatown The Godfather Part II Carrie Taxi Driver Apocalypse Now Manhattan Raging Bull Blade Runner Do The Right Thing Jackie Brown L.A Confidential Princess Mononoke The Matrix Requeim For A Dream A.I Spirited Away Minority Report
Quite a lot actually! There are some which are much better than others {REBEL WITHOUT A CAUSE!!!} but all the films listed are very beautiful I think!
Now that I've seen the dvd, and Mr. Roberts has added SNOW WHITE, it would be quite safe to add Disney's SLEEPING BEAUTY to the list. This one, as DaVid Boulet reported, is absolutely stunning. Tuesday should also see the Superbit LAWRENCE OF ARABIA added as well.
I do love the visual aspect of What Dreams May Come. In the same way that Denzel Washington brought Training Day's mediocre script up to respectability, the cinematography and style of WDMC really brought up the quality of a film that would certainly (for me, anyway) ended up never bought or seen.
David Lean's "Oliver Twist" has some of the most beautiful black and white cinematography I have ever seen and it is well rendered on the Critereion DVD. Lean's "Great Expectations" which also features black and white cinematography from Guy Green is nearly as good.
If WB (or anyone) ever get around to releasing John Ford's "The Long Voyage Home" on DVD, pick it up. I think that one is up there with "Citizen Kane" in terms of Gregg Toland's best work.
I also have high hopes for Criterion's upcoming release of William Dieterle's "The Devil and Daniel Webster" which was shot by Joseph August.