I watched the whole film last night and was equally impressed by the audio and video as most others who posted here. I'm not sure how it compares to how it must have looked in 1937, but it is certainly more consistent in appearance than my laserdisc was.
Disc two has a lot of good stuff on it. There is a cool section on camera tests narrated by film restorationist Scott MacQueen. It shows how they experimented with different filters when photographing the original artwork to achieve different effects. Without expressly saying it, this also makes a case for why the original artwork is not sufficient reference to get the appearance of the film "right". One would also have to know when and what types of filters were used (among other things).
The galleries of production art are implemented very cleverly. Select galleries and pieces of artwork have audio narration to accompany them and explain their significance.
The presentation of the various trailers is also innovative. You can either watch them individually or in the context of a narrative history of the Walt Disney Company. It works pretty well, but since it is Disney presenting its own history, there will be a few omissions and rose-tintings. I guess I didn't expect the word "Katzenberg" to appear in the documentary, but it would have been a pleasant surprise if they were gracious enough to mention his contributions in the 80s & early 90s.
This is probably the best presentation of special edition content I have ever seen.
Regards,
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Ken McAlinden
Livonia, MI USA
Disc two has a lot of good stuff on it. There is a cool section on camera tests narrated by film restorationist Scott MacQueen. It shows how they experimented with different filters when photographing the original artwork to achieve different effects. Without expressly saying it, this also makes a case for why the original artwork is not sufficient reference to get the appearance of the film "right". One would also have to know when and what types of filters were used (among other things).
The galleries of production art are implemented very cleverly. Select galleries and pieces of artwork have audio narration to accompany them and explain their significance.
The presentation of the various trailers is also innovative. You can either watch them individually or in the context of a narrative history of the Walt Disney Company. It works pretty well, but since it is Disney presenting its own history, there will be a few omissions and rose-tintings. I guess I didn't expect the word "Katzenberg" to appear in the documentary, but it would have been a pleasant surprise if they were gracious enough to mention his contributions in the 80s & early 90s.
This is probably the best presentation of special edition content I have ever seen.
Regards,
------------------
Ken McAlinden
Livonia, MI USA