Mark Kalzer
Second Unit
- Joined
- Mar 19, 2000
- Messages
- 443
Strange. I found this pretty dissapointing. I just felt somehow, despite a few good sequences of explosions...that I had already seen all of this before in so many non-Die Hard movies.
The John McClane/'I'm a Mac guy' duo tries so hard to match the McClane/Sam Jackson duo, but just cannot find any kind of rhythm beyond, "I'm old", "I'm young...and digital..." The old guy vs. new guy thing has been done to death countless times before, and it hardly goes any deeper then 'You listen to old music? Ewww!' Mr. "I'm a Mac" performs a single emotion for the entire film, up until the extremely predictable small moment of heroism. Somehow I just felt it was a huge missed opportunity. The Kevin Smith character 'Warlock' to me would be a far greater match as it remains clear no one in Hollywood can play the geek like Kevin Smith! He has a sharp natural wit which 'I'm a Mac' cannot match. To me...the classic duo would be McClane, the tough and rugged, with the Kevin Smith, the overweight, social reclusive and extremely sarcastic, but still brilliantly minded computerwise. Why must all sidekicks be fit and thin? Is it not time some fat slob saved the world? (With all due respect to Kevin Smith... I love the man!)
I also had problems wrapping my head around the plot. I am a firm believer that it should not be expected of a viewer to turn his brain off during a movie, and maybe my expectations are too high... but I just could not help but keep wondering why this plot had to involve John McClane. In a scenario he clearly knows nothing about... he immedietely concludes, in the middle of the streets, amidst all this chaos and with no real resources, it is up to him to save the world. Why? How is it remotely possible that he and his hacker friend could know more then the US intelligence? And why must it be he alone (with sidekick) who goes to to that central hub station if it is so seemingly obvious a computer terrorist target? The whole thing seemed awkwardly shoehorned around McClane, if only because this is what a franchise film demands. Somehow, McClane has to be worked in, and this time it isn't as simple as him hanging out in a bathroom in an inconvenient time.
Finally the PG-13 thing, I cannot ignore. We've been told it was always intended to be this way, but it was glaringly obvious that they were overdubbing parts. When the lips are quite clearly saying 'fuck' repeatedly, we're hearing something else, and the dubbing work is utterly atrocious. This is a mature action movie sanitized for the wrong reasons, and in the wrong ways. Inevitably, I can only shake my head at this Hollywood mentality that if you murder people mercilously, (Which McClane the cop does repeatedly without even thinking to figure out who these guys are) smack innocent women around, that is okay, but only as long as you watch your language! Exactly what message is this industry sending to teenagers? They should be quite confused indeed. (Our Canadian ratings system acknowledges that teenagers have heard all these swear words before, hence 'Billy Elliot' is free of the absurd R rating) Usually the ratings system has little effect here in Canada, but at times like this, it is really grating to see mature films sanitized in such ludicrous manner.
Just how long does hollywood intend to continue to market the same stuff over and over again?
The John McClane/'I'm a Mac guy' duo tries so hard to match the McClane/Sam Jackson duo, but just cannot find any kind of rhythm beyond, "I'm old", "I'm young...and digital..." The old guy vs. new guy thing has been done to death countless times before, and it hardly goes any deeper then 'You listen to old music? Ewww!' Mr. "I'm a Mac" performs a single emotion for the entire film, up until the extremely predictable small moment of heroism. Somehow I just felt it was a huge missed opportunity. The Kevin Smith character 'Warlock' to me would be a far greater match as it remains clear no one in Hollywood can play the geek like Kevin Smith! He has a sharp natural wit which 'I'm a Mac' cannot match. To me...the classic duo would be McClane, the tough and rugged, with the Kevin Smith, the overweight, social reclusive and extremely sarcastic, but still brilliantly minded computerwise. Why must all sidekicks be fit and thin? Is it not time some fat slob saved the world? (With all due respect to Kevin Smith... I love the man!)
I also had problems wrapping my head around the plot. I am a firm believer that it should not be expected of a viewer to turn his brain off during a movie, and maybe my expectations are too high... but I just could not help but keep wondering why this plot had to involve John McClane. In a scenario he clearly knows nothing about... he immedietely concludes, in the middle of the streets, amidst all this chaos and with no real resources, it is up to him to save the world. Why? How is it remotely possible that he and his hacker friend could know more then the US intelligence? And why must it be he alone (with sidekick) who goes to to that central hub station if it is so seemingly obvious a computer terrorist target? The whole thing seemed awkwardly shoehorned around McClane, if only because this is what a franchise film demands. Somehow, McClane has to be worked in, and this time it isn't as simple as him hanging out in a bathroom in an inconvenient time.
Finally the PG-13 thing, I cannot ignore. We've been told it was always intended to be this way, but it was glaringly obvious that they were overdubbing parts. When the lips are quite clearly saying 'fuck' repeatedly, we're hearing something else, and the dubbing work is utterly atrocious. This is a mature action movie sanitized for the wrong reasons, and in the wrong ways. Inevitably, I can only shake my head at this Hollywood mentality that if you murder people mercilously, (Which McClane the cop does repeatedly without even thinking to figure out who these guys are) smack innocent women around, that is okay, but only as long as you watch your language! Exactly what message is this industry sending to teenagers? They should be quite confused indeed. (Our Canadian ratings system acknowledges that teenagers have heard all these swear words before, hence 'Billy Elliot' is free of the absurd R rating) Usually the ratings system has little effect here in Canada, but at times like this, it is really grating to see mature films sanitized in such ludicrous manner.
Just how long does hollywood intend to continue to market the same stuff over and over again?