Billy Jack - I don't really think this is a good picture at all, but my it meant a lot to me when it came out and I must have gone to see it 7-8 times. Ironically, some friends and I were just discussing the film over coffee last week.
Billy Jack advances 4-3 (I voted for Superfly, who's message of personal enlightenment and empowerment, not to mention Curtis Mayfield's great soundtrack, place it far and above BJ's bleaker, violent, and more simplistic approach. Ron O'Neal vs. Tom Laughlin, c'mon. And Laughlin's visual approach is very basic; he gives us nothing like Gordon Parks Jr.'s photographic montage.)
Oh well, I can't be too upset. I know it wasn't going to win, and shouldn't, so Superfly had to lose sometime.
The Texas Chainsaw Massacre advances 5-2 (My vote is for TCM, though I am a fan of THX as well)
Dog Day Afternoon vs. Beyond The Valley Of The Dolls
I don't really like it very much, but I like Superfly even less. Superfly has some of the least appealing (to me) soul music from that time frame, and wasn't very interesting to watch.
I will admit that it was influential in terms of starting the Blaxploitation genre, but I don't really consider that a good thing.
Superfly was an independantly financed black empowerment film like Sweet Sweetback's Badassss Song. The kind of films that are brought to mind by the "blaxploitation" term did not occur for another year or two when the mainstream co-opting began due to the financial success of Superfly, Shaft, and Sweet Sweetback.
The soundtrack is integral to the film. Mayfield's songs - Superfly, Ghetto Child, Freddy's Dead, Pusherman, etc. tell the story of what we are seeing onscreen. They describe the characters, give us their inner thoughts, and provide commentary on their actions and the world they, and we, inhabit.
The aim of his role Was to move a lot of blow Ask him his dream What does it mean He wouldn't know "Can't be like the rest" Is the most he'll confess But the time's running out And there's no happiness
Oooh, Superfly You're gonna make your fortune by and by But if you lose, don't ask no questions why The only game you know is "Do or Die"
Little child, runnin' wild Watch a while, you see he never smile Broken home, father gone Mama tired, so he's all alone Kind of sad, kind of mad Ghetto child thinkin' he's been had
In the back of his mind he's sayin' Didn't have to be here You didn't have to love for me While I was just a nothin' child Why couldn't they just let me be Let me be, let me be, let me be
One-room shack on the alley-back Control I'm told from across the track Where is the mayor who'll make all things fair He lives outside our polluted air
Minnie & Moskowitz advances 2-1 with my tie-breaking vote. I like Sisters as well, but would have liked it more if the vivid stylization of the first 20m or so had been carried on for the whole of the film.