chris_everett
Second Unit
- Joined
- Jul 20, 2003
- Messages
- 403
I would only add that most AEs are just as confused as we are when it comes to what to put in the surround channels. Of course, there's not even agreement on where to locate the surround speakers in a control room. Regardless, I'm afraid we are going to be seeing bizarre mixes for awhile.
One correction. The responsibility for most "stuff" in surround channels should sit with the producer first, the artist second and the engineer third.
Ed, what's one of the disc's that you have that uses the .1 channel as a full range? I'd like to check it out. As far as I know, every standard has the .1 being used for LFE only, and to deliver a disk with it full range would indicate a huge oversight at several levels (Audio engineer, mastering engineer, dupe plant, QC checks....)
One correction. The responsibility for most "stuff" in surround channels should sit with the producer first, the artist second and the engineer third.
Ed, what's one of the disc's that you have that uses the .1 channel as a full range? I'd like to check it out. As far as I know, every standard has the .1 being used for LFE only, and to deliver a disk with it full range would indicate a huge oversight at several levels (Audio engineer, mastering engineer, dupe plant, QC checks....)