Wow. I'm only half way done with the album, but I can't help but give my first impressions. It is h-e-a-v-y. So much so, that I'm afraid a lot of you guys won't like it. I am absolutely loving what I am hearing so far. I'm finding myself turning the volume way louder than I usually do for a first listen to a new album, and my head is bobbing and I have caught myself smiling a few times.
One small complaint is that James' vocals are a little buried, but then again I have always found him the weakest part of the band (I still like him, don't get me wrong).
The goose bumps haven't kicked in yet, but I bet they will after I digest this. I would say this is the best first impression of any DT I've heard since I was in college and I heard Images and Words for the first time.
I never really thought that Train of Thought was as heavy as everyone said, although I really did and do like it. I like this album a lot, although first impressions don't mean everything.
I just finished listening to it for the first time. I definitely like it more than I thought I would on the first pass. There are some sections I'm not loving but I think I'll get used to them. Impossible to decide on one listen but right now I'm pretty happy with it.
My first impression of SC is far more positive than my first impression was for ToT. I really didn't like that one.
Best song - #7 The Ministry of Lost Souls. This will be a classic, though the instrumental section is a bit too long.
I think #8 (In the Presence of Enemies Pt. 2) is good but the "Dark Master" vocals are distracting.
#2 (Forsaken) sounds very much like Evanescence to me. #6 (Prophets of War) is another Muse tribute (similar to Never Enough on Octavarium).
Overall: Musicianship is there, production is there, but lyrics and vocals are regressing, sometimes to the point of being juvenile. Portnoy's lyrics are fine (usually based on his AA saga) as well as LaBrie's (usually political). Petrucci seems to want to keep writing about fantasies, monsters, etc. One disturbing thing is that the lyrics for In the Presence of Enemies were supposedly lifted from an obscure comic book but I didn't see any credit/attribution in the liner notes. I'm not familiar with the comic, but it was mentioned in Portnoy's website.
I would say I already like half of the songs and a couple others will grow on me.
Best Buy is selling the 2-disc SE this week for $14.99, but I think that price is only good online. You can order it for in-store pickup though (I did yesterday).
First impressions: Not quite as heavy as Train of Thought, and Prophets of War does indeed sound like a Muse rip-- um, tribute.
After several more listens, here are my latest thoughts, in order of song preference:
The Ministry of Lost Souls I still like this one the best, though the instrumental section prior to the excellent unison section doesn't fit real well.
Repentance Very nice "breather," though some may call it boring. The "ah" section reminds me of Pink Floyd's Wish You Were Here finale.
Forsaken Well constructed song that should be somewhat radio-friendly.
Prophets of War Most people seem to hate this one, yet despite disagreeing with the lyrics, I think it's cool. In addition to the obvious Muse influence, there is a ton of Queen as well (especially if you watch the DVD documentary).
In the Presence of Enemies (Parts 1 and 2) I think if you took all of Part 1 and added half of Part 2 (everything except the "Dark Master" cheese and the instrumental wankery) this would be an awesome song. As with The Ministry of Lost Souls, some of the chord progressions are truly breathtaking and haunting.
Constant Motion Great guitar and keyboard solo, still don't care for the Metallica vibe.
The Dark Eternal Night Just not connecting with the distorted vocals.
The issue of Petrucci not citing his source for ITPOE is taking on a life of its own. It's kind of disappointing to see fans defending or dismissing the blatant copy/paste of another person's work without credit. http://www.mikeportnoy.com/forum/tm....682061&mpage=1
The album debuted at #19 on the Billboard charts, which is DT's best ever ranking. Maybe the new label's efforts are paying off. Supposedly there will be a video for Constant Motion coming out soon.
Can't wait to see them in Chicago (Rosemont) on August 10.
I'm enjoying this release more and more with each listen. I watched the DVD "making of" earlier this week, pretty cool insight on how the writing/recording process goes down. Overall a solid disc, good to see these guys keeping up the intensity album after album.