Adam Lenhardt
Senior HTF Member
This latest space drama is inspired by Chris Jones's Esquire article about Scott Kelly's yearlong mission in space. The series was created by playwright Andrew Hinderaker, who also wrote the pilot. Jessica Goldberg ("The Path") serves as showrunner, while Jason Katims ("Friday Night Lights", "Parenthood") executive produces. It's near-future science fiction; far enough ahead for humanity to have a moon base and a mission to Mars, near enough that the life on the ground is more or less the same as it is now.
I'm three episodes in, which have been about fifty-fifty between the space story with humanity's attempt to set foot on Mars and the family drama of the American mission commander, her husband, and her daughter. Each episode also seems to focus on a different member of the crew; flashbacks in the second episode filled in the Russian cosmonaut's background, while flashbacks in the third episode filled in the Chinese astronaut's background. It is an international mission, with each member of the crew hailing from a different nation: USA, Russia, China, India, and the United Kingdom.
So far, the family drama is the stronger half of the show. Hillary Swank, Josh Charles, and Talitha Bateman are all phenomenal, individually and as a collective unit. The ways they find to stay connected, and the ways they depend on each other and lean upon one another despite the vast and ever-growing distance between them, is really interesting to watch. As Emma and Matt, Swank and Charles really make you believe in this marriage. And the writing supports it; it feels mature, with a real give and take between the two spouses and each possessing a deep understanding of what the other needs. Their daughter Alexis easily could have fallen into the trap of being a petulant and resentful teenager. But she too is trying really hard to make an impossible situation work.
I have two issues with the show, both relating to choices made in the pilot. Before they blast off for Mars, there is an incident that occurs which sets off factional infighting among the crew, infighting that continues over the subsequent two episodes. These five people have been training together for two years, have been chosen to represent their countries in the highest profile mission of all time. I just don't buy that they would act so unprofessionally.
The other issue is that Emma experiences a family crisis after they've landed on the moon but before they launch for Mars. Given the circumstances, and given that there was an available alternative, I didn't buy NASA approving her to continue as mission commander. It would have played better if the crisis had occurred shortly after they'd left for Mars, when the choice was between aborting the mission or not.
I'm three episodes in, which have been about fifty-fifty between the space story with humanity's attempt to set foot on Mars and the family drama of the American mission commander, her husband, and her daughter. Each episode also seems to focus on a different member of the crew; flashbacks in the second episode filled in the Russian cosmonaut's background, while flashbacks in the third episode filled in the Chinese astronaut's background. It is an international mission, with each member of the crew hailing from a different nation: USA, Russia, China, India, and the United Kingdom.
So far, the family drama is the stronger half of the show. Hillary Swank, Josh Charles, and Talitha Bateman are all phenomenal, individually and as a collective unit. The ways they find to stay connected, and the ways they depend on each other and lean upon one another despite the vast and ever-growing distance between them, is really interesting to watch. As Emma and Matt, Swank and Charles really make you believe in this marriage. And the writing supports it; it feels mature, with a real give and take between the two spouses and each possessing a deep understanding of what the other needs. Their daughter Alexis easily could have fallen into the trap of being a petulant and resentful teenager. But she too is trying really hard to make an impossible situation work.
I have two issues with the show, both relating to choices made in the pilot. Before they blast off for Mars, there is an incident that occurs which sets off factional infighting among the crew, infighting that continues over the subsequent two episodes. These five people have been training together for two years, have been chosen to represent their countries in the highest profile mission of all time. I just don't buy that they would act so unprofessionally.
The other issue is that Emma experiences a family crisis after they've landed on the moon but before they launch for Mars. Given the circumstances, and given that there was an available alternative, I didn't buy NASA approving her to continue as mission commander. It would have played better if the crisis had occurred shortly after they'd left for Mars, when the choice was between aborting the mission or not.