johnmcmasters
Stunt Coordinator
- Joined
- Nov 19, 2013
- Messages
- 157
- Real Name
- John McMasters
I really should see the film again vis a vis any vestiges of homophobia. My faint recollection from seeing the film all those years ago is that the "straightness" of the Gere character and his not having male clients is fully supported and lauded by the story arc and how he is redeemed by the love of a good woman, to reduce the plot to a mundane level. I know that the film can be seen as refuting the trappings of fashion, physical self absorption, and narcissistic self love, but it spends so much time lovingly caressing all of the surfaces, decors, fashions, and beautiful bodies, and the acquisition of things (how many fashion mags had a photo gallery of the Armani costumes? and as noted above the Gere "look" became a fashion trend) that I think it is a tad bit ingenuous for those trappings to be suddenly disavowed as the story progresses as perhaps morally corrupt. Sort of like "God that feels good but stop because it's wrong" if you know what I mean? But again I may be wrong. It's been a while and a half!
Addendum: I also recall that the film draws a moral equivalency between Gere's dislike of gay sex and his dislike of any S&M -- as though the two are automatically linked? Again, a more recent viewing may belie those recollections.
Addendum: I also recall that the film draws a moral equivalency between Gere's dislike of gay sex and his dislike of any S&M -- as though the two are automatically linked? Again, a more recent viewing may belie those recollections.
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