Mike Broadman
Senior HTF Member
- Joined
- Aug 24, 2001
- Messages
- 4,950
1. DJ Shadow- Entroducing
A number of people, including some on this forum, have recommended this one. I picked up Private Press- I thought it was OK, but it didn't really grab me. I only got that one first because it was the only one I saw in a store and have simply not felt up to ordering on-line lately. This weekend, however, I came across Entroducing.
I am in love with this record. Now I know what the big deal about it is. It's different than what I expected- I knew it involved intricate layering of records, but I assumed that it would be dense. Quite the opposite- it's very ambient, melodic, and uses space well. It kind of sounds like what Mobey would be if he were interesting.
That second track just kills me. "Ah-AH-ah ah..."
Note: No posts about how this is (c)rap (hardy-har-har, putting a 'c' in front of it! Ho-ho, it is too laugh ) or how rap is evil. I would like to have a couple of posts about something hip-hop related that isn't insulting and condescending. Thank you.
2. David Sylvian / Robert Fripp, The First Day
Ok, yes, I'm a King Crimson obsessive fan-boy, so of course I'd like something with Fripp on it, right? Actually, I don't like all of his solo and side projects (I never could get into his Exposure album, which sounds dated to me, and his ambient music ranges from gorgeously sublime to dreadfully boring). Yes, I picked this one up only because it had Fripp.
However, this is easily my favorite thing outside of King Crimson Fripp is done that I have heard (including ambient music, eg Frippertronics and Soundscapes, Sunday All Over the World, The Robert Fripp String Quartet, League of Gentlemen, etc). This is mostly due to the fact that The First Day introduced me to the unique and remarkable talent of David Sylvian.
Sylvian is a singer / instrumentalist / songwriter who was in some group called Japan that I never heard. He has a number of solo albums. After hearing The First Day, I picked up his Secrets of the Beehive. Low-key but interesting songs with tasteful and elegant arrangements. Excellent stuff! His singing voice is very smooth and low, like a crooner.
The great thing about The First Day is that it combines two seemingly opposite styles: Sylvian's penchant for space and lyricism and Fripp's infamous pull towards density, mathematical spider-like cross picking guitar lines, and layered sound. The result is a wonderful melding of the two, where each uses their maturity as professional musicians to find a middle ground. It sounds completely devoid of ego. This is a pop record, and a damn fine one at that!
God's Monkey and Jean the Birdman are pop/light-funk groovers. The combo of Fripp laying down his unique accessible yet intricate guitar lines with Sylvian crooning on top is a real pleasure to hear. The highlight for me is the 17 minute workout Darshan, which features the band laying down a groove, Sylvian throwing in some hip yet sparse vocals, and Fripp doing some sick layering of English funk riffs and ambient Frippertronics.
This is really good driving music, too.
Even folks who consider "prog rock" and "King Crimson" to be dirty words should find this to be an enjoyable record.
I've had this for a while now, but this weekend I picked up their live album Damage. While it's great, too, I figured I'd recommend the studio album first, since it has Darshan.
NP: DJ Shadow, Endtroducing
A number of people, including some on this forum, have recommended this one. I picked up Private Press- I thought it was OK, but it didn't really grab me. I only got that one first because it was the only one I saw in a store and have simply not felt up to ordering on-line lately. This weekend, however, I came across Entroducing.
I am in love with this record. Now I know what the big deal about it is. It's different than what I expected- I knew it involved intricate layering of records, but I assumed that it would be dense. Quite the opposite- it's very ambient, melodic, and uses space well. It kind of sounds like what Mobey would be if he were interesting.
That second track just kills me. "Ah-AH-ah ah..."
Note: No posts about how this is (c)rap (hardy-har-har, putting a 'c' in front of it! Ho-ho, it is too laugh ) or how rap is evil. I would like to have a couple of posts about something hip-hop related that isn't insulting and condescending. Thank you.
2. David Sylvian / Robert Fripp, The First Day
Ok, yes, I'm a King Crimson obsessive fan-boy, so of course I'd like something with Fripp on it, right? Actually, I don't like all of his solo and side projects (I never could get into his Exposure album, which sounds dated to me, and his ambient music ranges from gorgeously sublime to dreadfully boring). Yes, I picked this one up only because it had Fripp.
However, this is easily my favorite thing outside of King Crimson Fripp is done that I have heard (including ambient music, eg Frippertronics and Soundscapes, Sunday All Over the World, The Robert Fripp String Quartet, League of Gentlemen, etc). This is mostly due to the fact that The First Day introduced me to the unique and remarkable talent of David Sylvian.
Sylvian is a singer / instrumentalist / songwriter who was in some group called Japan that I never heard. He has a number of solo albums. After hearing The First Day, I picked up his Secrets of the Beehive. Low-key but interesting songs with tasteful and elegant arrangements. Excellent stuff! His singing voice is very smooth and low, like a crooner.
The great thing about The First Day is that it combines two seemingly opposite styles: Sylvian's penchant for space and lyricism and Fripp's infamous pull towards density, mathematical spider-like cross picking guitar lines, and layered sound. The result is a wonderful melding of the two, where each uses their maturity as professional musicians to find a middle ground. It sounds completely devoid of ego. This is a pop record, and a damn fine one at that!
God's Monkey and Jean the Birdman are pop/light-funk groovers. The combo of Fripp laying down his unique accessible yet intricate guitar lines with Sylvian crooning on top is a real pleasure to hear. The highlight for me is the 17 minute workout Darshan, which features the band laying down a groove, Sylvian throwing in some hip yet sparse vocals, and Fripp doing some sick layering of English funk riffs and ambient Frippertronics.
This is really good driving music, too.
Even folks who consider "prog rock" and "King Crimson" to be dirty words should find this to be an enjoyable record.
I've had this for a while now, but this weekend I picked up their live album Damage. While it's great, too, I figured I'd recommend the studio album first, since it has Darshan.
NP: DJ Shadow, Endtroducing