Recent content by stevenHa

How does it compare with the earlier blu ray (the one with the opening warning that says it's derived from the best elements available) ?

I know Kino has to use the master that Universal gives them, and I know once in awhile Kino will reissue blu rays with some improvements, so I wonder if there is any possibility of a better quality Spawn of the North being issued due to that uneven texture on the original release ?

Would anyone know why Johnny Tremain isn't on streaming ?

Aren't many of them already available on Amazon Prime ?

If interested, you can see an actual matte painting from Raintree Country on the current issue of this blog : https://nzpetesmatteshot.blogspot.com/

Could Cooper have been the conductor on the train ?

Could someone tell me where was Gary Cooper and Carole Lombard as extras ?

Also, amazing work from Albert Whitlock.

I guess I have to stop getting hypnotized whenever I see a blu ray case !

I missed out on this, but was there any thread here on this kickstarter from Redwood Creek Films about the restoration of this Tod Browning film ? Was the kickstarter just to get an early release and then the blu ray will be sold on the general market ?

If a restored Columbo series is being offered, can we expect other series like McMillan, McCloud, and Ironsides ?

Would someone know the situation with their archived/preservation stock - is that going to be the highest quality - why wouldn't they use it for outputting to the consumer (or are they) ?

If you know the answer, I'm confused by the various terms regarding physical media and it's preservation vs display. I want to use Disney classic films for this. Is the archived/preservation product going to be the highest quality for pq and sound ? When we see a film like 20,000 Leagues...

I loved the music and production values but I think it missed because it jumped around the characters so much, I never felt much interest in any of them.

Some excellent matte work from Peter Ellenshaw makes it worthwhile for me...