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Thanks, that's precisely what I wondered regarding this part of the workflow. I guess the question now is what Kino aimed to do with this new grading : matching a reference (if so, which one ?) or simply eliminating the color stamp.

All these color gradings changes raise a question to me : do we know how the color corrections performed for the new Kino release have been supervised, what was the technical workflow for those ? Was it entirely done outside of Ritrovata ? Did Kino went back upstream with Ritrovata before the...