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Alright, as long as we're going down that road. . . I mean, it's vaguely on topic, right?

Kino Lorber has a deal with Paramount, so anything is possible. On the other hand, it would be a Paramount master. So. . . We'd have to hope for the best on that score.

And assuming a quality encode, with no Paramount-style shenanigans, better grain management as well. I still think that's an underrated aspect of making the jump to 4K.