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I meant to write "these days". Shooting 3-perf became much more common when DIs became the norm. Vincent

And movies that are shot in 35mm these days typically shoot 3-perf, which has a native widescreen ratio. Vincent

Dario Argento's TENEBRAE was hard-matted at 1.85:1 in camera, aside from a small bit of footage shot in New York City and JFK Airport that's unmatted. I have some MOV clips (maybe 20 mins worth) from the 35mm print that Synapse scanned parts of for their Blu-ray and it's all hard-matted except...