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This always bothered me about Kubrick's EYES WIDE SHUIT. They wet down the NYC sets in England, then intercut it with second-unit footage shot in the real NYC that was NOT wet down. Vincent

It's called a "stretch" and is done by either zooming in while dollying out, or vice versa. Scorserse actually does both types in one shot towards the end of GOODFELLAS when Ray Liotta is sitting with DeNiro in a diner having a conversation. Vincent