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I absolutely agree. The one thing to remember when watching a David Lynch movie is that he set out to be a painter first. His early shorts were his attempt to making "moving paintings." I think Blue Velvet is the best example of this so far, but that's probably another thread.

To a certain extent, I think it is. Not nearly as much as I would like it to be, however. The only part of MD that I think there's a lot of room for debate over is who/what is the bum behind Winkie's? Someone on an email discussion list I'm a part of had a theory on that I really like: the bum...

I meant the way he tied in the pilot (which ends when Betty and Rita run out of Apt No. 17 when they see the dead body) to the rest of the movie by pretty explicitly (I thought) having the first part be Diane's dream. Perhaps that was his intention for the series all along (although that...

I swear I must be the only person on earth who was disappointed in this movie because I understood the plot pretty much upon first watching (it wasn't until I watched it the second time that I figured out that the "Diane" section really isn't in chronological order at all). The reason I've...