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Thus, if I understand correctly, your objection to HDR on "classic films" (for lack of a better catch-all term) lies not in the technology itself, but in the unlikelihood of favourable conditions re: source elements for an appropriate application of HDR to such films?

So, to make sure I understand, we can't have HDR without the wider colour gamut, but we can have the wider colour gamut without HDR, AND classic films, if reissued on 4K media, can benefit from the wide colour gamut without untoward deviation from original intent?

HDR aside, in most sizes of display in relation to seating distance, 4K alone seems an insufficient reason to upgrade (unless one needs an additional display or the current display dies and needs replacing). However, the wider colour gamut available on most (though, apparently, not all--or not...