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Right. It's a common misconception I often see that a camera negative is by itself some kind of precise capture of an intended image, and as such requires only proper chemical processing to reproduce the inherently correct result. In reality (and this applies to creative use, as in motion...

But that must be quite another Tale.

The side-by-side comparison images in the AV Club article are incredibly deceptive. No released version of the film ever looked like the so-called “before” samples.

Like with the previous often-expressed belief that there's only one shade of white.