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Well, if two professional restoration teams are in dispute, then all within this thread should now break bread and make peace with each other. We're all going to drive ourselves crazy on the present minutia. Let's go forward. Don't get me wrong. If the addressed corrections can truly be...

Who, then; be it in the U.S. or Leone Country; can offer both a resulting and definitive solution? Is there one person with both the available financing and the follow through connections that can ever bring this film to its final peace?

You're going on as if you've been forced to buy GBU all 4 times. Simple solution; don't buy Kino's edition of GBU and let others enjoy it if they so choose. If next week's reviews prove you to be correct, then we will applaud and laud you; but if the reviews reveal something else, then all the...

Hear, hear!! I wholeheartedly agree with Allansfirebird and Brandon Conway. I sentence all Naysayers to two years of work-detail with groups like Kino; perhaps then, they will have a fuller appreciation and regard for the efforts placed in bringing these films to the comforts of our homes. The...

One thing's for certain; of the prior and collective discs thus far, some were Good, Bad or Ugly.:rolleyes:

And let's not forget that despite the presence of American actors and our United Artists; GBU was also a foreign film. One can only imagine the notes and specs between the labs at home and abroad. Now, if the Leone Estate could dig up and supply us with Sergio's actual technical notes then...

I am starting to get the sneaking suspicion that there are no definitive GBU prints to point to; except the variable theatrical prints as seen by you, me and them. Perhaps with each and every wave of distributed prints, the color-timings were varied from the start. Just a thought. Yup, I've paid...