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If an album was originally recorded in PCM, a DSD master can never be considered the archival master. Only a damned fool would limit himself to a singular upsampled format and assume nothing better will come down the pike. You always want to hang onto the original 16/48 (or 24/48 or whatever) so...

Why would anybody want a high-res format to become a 'CD replacement'? If everybody has an SACD player in their car and boombox, next thing you know they'll start squashing the dynamics on most of the discs.