Search results

No, the tone on each of the three Trilogy of Life films is quite the opposite of Salo (though there are certain dark, satiric moments in The Decameron and Arabian Nights where one can tell it's definitely the same artist at work).

<p> By the 1970s, Italian director Pier Paolo Pasolini felt free to explore the realms of love and sex that most films up to that time had never dared to investigate. His <em>Trilogy of Life</em> which brought together a succession of spiritual, comic, and erotic tales from Italian, English...