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I think this is where there is room for healthy debate about the intent of the film. I agree with your read -- the film absolutely should not be interpreted as an authoritative factual inquiry into "what really happened." I would not be able to enjoy the film otherwise because the conspiracy...

Oh it’s nonsense, but it’s so well-made and formally inventive that the script can be forgiven. The editing alone makes it a pantheon film. As someone in another thread mentioned, there’s no Oppenheimer without JFK.

It apparently includes a poster.