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Rod, I talked about the color timing a few pages back. Although some scenes are indeed a bit brighter than previous video editions, and there are some pretty dramatic differences in the palette beyond that, The Beast in the shadows was not as different as I thought when A/B'd with the...

Rod, Your first observation is indeed correct. They also have the standard release title card on the DVD WIP whereas previous versions had a more hand-drawn looking alternate version. I'm not sure which one better matches what was shown at the NY premiere, but the new one does differ in these...

Beauty and the Beast, like most recent Disney animated features besides Atlantis, was composed for 1.85:1 with a 1.66:1 "full frame". If you look at some of the rough animation for this and other animated features, you will see a 1.85:1 frame with the "extra" 1.66:1 information dimmed at the top...

John, Were your 2nd and 3rd observations based on the SE, theatrical version, or both? I believe both of those scenes are encoded separately after the layer change. Regards,

Putting aside the discussion of compression artifacts for a second, the color timing on this release appears to be a bit different than the original theatrical release. Particularly, the early scenes of the beast appear somewhat brighter. This does reflect the recent IMAX SE presentation, so it...

How they did it Okay folks, here's the answer to how Disney put the three quasi-branched versions of the film onto a single dual layer disc. If someone already covered this above, I apologise for missing it and being redundant. The first 50 minutes or so are exactly the same for the...