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35mm is my guess over DCP, simply because the main page of the retrospective mentioned that Preminger himself had donated prints of many of his films to the museum. But that's just a guess, anyone interested in seeing the movie at MOMA should check with them to confirm format if they're picky...

The Museum of Modern Art in NYC will be showing Exodus in May - no word on their webpage if it'll be a DCP, 35mm or 70mm.

I haven't seen the German, but my understanding is that the video transfer is the same, with the exception of the opening credits. Apparently on the German disc (and other international pressings) the credits are weirdly and unnecessarily windowboxed within the 2.35:1 frame, whereas on the...