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hmm. let's see For six channel (not 5.1) 48/16 4608 kbs 48/20 5.760 kbs 48/24 6912 kbs 96/24 13824 kbs 192/24 27648 kbs Now, MLP claims that it can reduce this to 48/16 1440-3456 kbs 48/20 2592-4608 kbs 48/24 3744-6760 kbs 96/24 6336-9216 kbs 192/24 11520-17280 kbs so...

FYI, the poster confused Dolby Digital Plus (lossy) with Dolby TrueHD (lossless). And plain old dolby digital with the new variant.

source granted, truehd has twice the bandwidth of dvd-a

so, if 18.0 Mbps is good enough for HDDVD (and for trueHD), what are the advantages of the higher bitrate?

Well at least you aren't stuck with a dts/dts-neo only receiver. Sniff... If only I had looked for Dolby digital, then at least I would be able to listen to hdtv, instead of just watching it... Geez... rival formats are brought out all the time, and each comes with its own advantages and...

MLP is all about analysis...

certain studios were known to prefilter their masters before converting them into mpeg2....

One thing to remember is that for a lossless codec, a maximum bitrate may not correspond to "efficiency" at all. It's a bit budget, and if a piece of music can't fit under that bit budget, compromises must be made. The MLP track may be a six track 96/24, but that doesn't mean that this rate...

dts has experience in designing error correcting codecs. Consider dts es discrete.