Search results

The original release from Newline's definintely a keeper; hang on to it like you hang on to the supervised transfer of Halloween (not the Divimax edition with botched color timing). To my eyes, the re-jiggered timing on the Infinifilm is as dramatic a change, as significant a distortion of...

David, did John Dowdell do the original Nightmare color timing (for the prints), or is he just renowned for his expertise in this area? Either way, it's an eye-popping job. One scene that almost seems 3D--and surprises me with the overall condition of the film elements--is when the kids pull up...

As long as they get Heather back into the mix on the new track; she can explain her forehead cyst again. (She probably never thought there'd be a need, but with these modern home video formats with unprecedented clarity and definition...) I also seem to remember her being a little taken aback at...

I took another look at Newline's first issue of Nightmare last night, and they've really got their work cut out for them in attempting to best that transfer; it's incredible. My prediction is--if they manage their bitrate properly with all the Infinifilm features--they'll be able to equal, but...

I guess I've got nothing against the extras, just the growing sense that the films given a presentation that does them justice isn't enough anymore. Supplementals are nice, and I enjoy them...but when a film comes out "bare bones" with a stellar transfer and people are outraged, it feels like a...

I don't see how they're going to top the previous transfer. Plus, I actually sought out the separate releases of the Elm Street films when they dropped in price, because I occasionally enjoy referencing the full camera negative (open matte versions were included with the single discers). I...