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I'll have to watch my Criterion extras again (couldn't have been all that great; I can't remember them), and then hand-down that and the orginal Robocop 2 and 3 DVD releases to my dad.

In the case fo ST VI the effects were done at about 2:1, not 2.35:1, at least somebody seemed to find support that that was the case. The ST VI thread went all through this before and everyone tried to analzye Meyer's vague "scope" comment. There have been 3 chances to frame the film at...

That would make sense since 1.66:1 is European widescreen. So, in America, we get it overmatted to 1.85:1 since most screens are 1.85:1 or 2.35:1. Kind of like what happens when directors shoot Super 35, framing for 2:1 instead of 2.35:1 (read ST VI). Gets over-matted theatrically and...

Count me in. The only thing that sucks is the anamorphic transfer of Robocop will probably be mis-framed at 1.85:1 instead of 1.66:1 like the Criterion version. Of course, when I blow it up with my scaler it gets cropped to 1.78:1 anyway. Still an anamorphic 1.66:1 transfer would...