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Also wondering whether Criterion managed to get back City of Women and Intervista, which originally skipped Criterion and went to Cohen and Kino. (And if you haven't seen Intervista...Anita Ekberg fans should prepare themselves for a shock. :oops: )

Gotta admit, that's the closest guess I can think of so far. :wacko: Some are easy, some make you feel like total shmucks once they're figured out. (Oh, and for those who just joined the conversation.)

And while Head is far from the best movie in the box that should go solo, it's certainly a reason most people bought it.

I wasn't aware that Master Builder was the "sequel" to Vanya on 42nd St., but now I'll have to look it up.

"...Brian of Nazareth"! Yes! :D

I was the only other 80's-arthouse survivor who recognized this one, but I didn't get to my e-mail early enough. :(

Knew it was The Rose, from the New Year's hint. :)

Oh, thought it was O.J. Simpson in "Capricorn One". :P

At least of their existing upgrades (since they never did DVD's of Morgan's Creek, Conquering Hero, Christmas in July or Great McGinty and won't get the Warner/Paramounts), but I'm still wondering about Unfaithfully. Still, bless Criterion catalog anal-retentiveness. And, like Brandon says...

Looks like Harold Lloyd. (He's speedy.)

(Hehehh....Who said they were people? :B) Oh, come on: This was the GIVEAWAY clue, and they'd already hinted at it.)

As I said, the hands seem to be equal, so nobody knows WHAT time it is...Except for the After Hours logo, though. (Although if it was After Hours, I'd have expected a ...They're such teasingly anal-retentive film buffs. ;) )

By golly, he is. :blink: But--like the One Two Three reason--wasn't After Hours already being eyed by TT, or other similar indie-catalog company? Thought that was what I heard.

If you mean Llewyn Davis, because it's the Coens at the arthouse. 'Nuff said, for the Criterions. :rolleyes: If you mean AtSSO, consensus pretty much agrees now it isn't, and if The Rose?--Gotta admit, that's a puzzler.

The one in front does look rather Napoleonic... :) I see the one eye, but where are the jacks? ;) (Although it is public domain, isn't it?) That would explain the sword, but it's a not a samurai one. Also, doesn't really look like blood--Some on the Criterion forums thought floating...

Oh, don't say that....It's too good. :(

I mean both, until they get the heck over either one, or just finish them off, already. :angry: The soldiers and whoever they're fighting, however, officially have the entire Internet stumped.

Good call--Couldn't tell which was the big hand and which was the little, and kept thinking "4:05? And their Malick fixation. That brood of hoodied characters on the bridge also delivers on some previous hints :B) , but why would Harold Lloyd be running from them? (He sure looks speedy, but...

Or even (eek!) Paul Mazursky's The Pickle, with Danny Aiello. :o Still, can't help thinking we'll get A Woman of Paris long before they ever get far enough down to giving us The Circus.

As the Morris's go, Thin Blue Line was the movie that "made" him as an art-documentarian, but Gates and Vernon just kind of wander about in cute red-state quirkiness without any major point. TTBL has an eerie dreamlike quality and his first (and best) use of Philip Glass, but up to that point...

Aww, I thought it was a red pony...

I'll confess, I didn't have a clue until I checked the Criterion forum: :blink: That's a rather odd baseball player, isn't he?

(Remember, you can look then, but....) :B)

For some reason--from Fox up through M2K--The Kid keeps getting bound together with The Idle Class, where Chaplin doesn't technically play the Tramp, and is therefore the less marketable B-title. But I still need to upgrade my Circus copy. :)

San Diego SatyriCon! (Imagine the fan bathing problems with that one...) ;) (Just be glad it's not everyone's second guess of "The Devils".) It's not as "fun" as 8-1/2, but Roger Ebert has made some good essays making sense out of the icky hedonism as "Proof of why the '68 Summer of Love...

As Col. Sherman T. Potter said, it's got three things that make a movie great: Horses, cowboys, and horses. :D

So, no "China 9, Liberty 37", then?

We won't blame you if you don't remember the American remake with Jeff Bridges and Keifer Sutherland.

The, vanishing? Nope, sorry can't guess this one. :)